Are the inversion investigators inverting?
Beware of dead links on Jon’s posts here.
Nadya Suleman gave birth to octuplets 2009 with help of ART (IVF)
ART is the acronym for Artificial Reproduction Technology and no doubt an area of great interest to the Elite. Only by the choice of words, it seems that the Elite do indeed master the art of creating artificial pregnancies. Art signifies the mastery of a discipline, and while many medical fields have not seen much advancements or cures in modern times (despite numerous claims), advanced reproduction technologies have been rolled out at a fast pace, becoming widely available to the population in the western world (for now).
From an Elite perspective, reproductive technology is a key area where they not only will better ensure their own lineage and possibly ‘improve’ their superior nature, but more importantly ART will give the current technocracy the ability to control their working force to an unprecedented degree. The incessant population polls, allopathic hospital births and mandatory infant follow-up with medical procedures tend to show the Elites strive to achieve complete dominion over their prime resource – fellow humans. By pure technocratic logic, artificial reproduction technology holds the promise to gradually ensure the Elite a long sought after control of the most primordial criteria to human existence – reproduction.
When we look at how Artificial Reproduction Technology became such a ‘necessity’, we already have many trails that indicate how fertility rates constitute secret target since quite some time. There might be many roads that lead to low fertility rates, but significant factors would be vaccines, birth-control and food. The sterilizing effect of vaccines is well established in alternative investigations (see Clint Richardson’s work here ), pesticides and food preserving chemicals are known dangers, the pill modifies a woman’s hormonal balance in a detrimental way and there might be more to wearing condoms than the immediate sterilizing effect.
To sell the attractiveness of ART there is of course nothing better than propaganda. We might already have more serendipitous promotion of Artificial Reproduction Technology than we are aware of. As with most propaganda, it is manufactured according to established and proven procedures – and in the case of childbirth we are clearly subjected to archetypical gender models which we know is of interest to our class of Better‘s. What more predictable than the Elite to make us awe at contrived wonders of ART (Artificial Reproduction Technology) – Hello Octomom Nadya Suleman.
Suleman very pregnant 8 days from the birth of her octuplets (2009)
The story of Natalie Denise Doud-Suleman is in itself very rich and might deserve a whole topic on its own in regards to media deception. Some interesting facts from Suleman’s very mediated life is that she’s the mother of 14 children (Double Zayin) all from in vitro fertilization (IVF), engaged her own PR company same week as her mega-birth, signed tv-rights for each of her octuplets, went on tv-shows very shortly after delivery (Dr.Phil, Oprah & more), posed nude for UK magazine Closer, filed bankruptcy in Orange County, starred in the film ‘666 Devil’s Child‘, featured as the bride in the Cledus Judd ‘Honeymoon‘ music-video, worked as a stripper, checked herself into Chapman House Treatment Center LA for Xanax addiction, and to top it all off – made an adult movie called ‘Octomom Home Alone‘ by Wicked Pictures. And of course, there is more drama to be found regarding ‘Octomom’ – it seems as plentyful as her fertililty.
Despite the quantity of media news-stories, an important fact the press conveniently avoid to adress is that Doud-Suleman could be as artificial as her offspring and in reality no mother at all. Her character seems entirely created for the pleasure of the media acting as a deceptive proponent of in vitro fertilization, and using a fair share of negative publicity to do so. As one might come to realise, the Elite has a gender-agenda on their drawing board and whenever they introduce a gender-typical model, they seemingly force-fit EGI characters into the script whenever they can. Only by her name does Octomom Nadya Doud-Suleman seem to tell the story quite plainly – ‘Doud’ is remeniscent of ‘Dude’ and Suleman seems to be a pun where the french word for only/alone (Seul/Sule) precedes the very typical “Man” we find appended to so many illustrious names. The Octomom might well be a ‘Dude’ and a Single Man (Suleman)…
“I have no interest in being famous. I’d love to vanish from the public eye as soon as I can.”
— Nadya Suleman
‘Octomom’ (2010) in Animal Rights campaign (PETA) for Pet Birth Control
•male overall proportions, square shoulders, breast implants, long arms, wide mouth, long dos and deep set eyes
N. Suleman exhibiting slender figure on Orange County beach (2011)
•male overall proportions, square shoulders, breast implants, long arms, big hands, narrow hips, male adonis bel and no q-angle (despite deceptive pose)
(original text found here)
Wow – just finished listening to this rather odd (bad) sounding artist on my favorite non-fake podcast. His song was bad and his voice sounded odd.
Now I can see why.
Award winning musician T. Thomason performs in studio / Clogged throats / Calls from North Carolina, Boston, Cincinnati and Maryland / The Retirement Sherpa / Fidget Spinners / Humble and Fred respect teachers / Humble headlines / Fred’s embarrassing van.
Now that I see the picture, I infer what Humble was mumbling about @ 1:25:15…suprised he didn’t go there and pursue this topic.
Howard said “full disclosure” twice and made no disclosure at all. That’s a deception technique.
Amazing that no mention of trans was made. Why ignore the obvious reason that this person is being promoted?
Here’s an article on her.
I don’t like this part:
“All that was going through my head when I came out was, ‘I need to do this,’” Thomason says. “But I do think it’s important that there’s more queer visibility in the music industry. … There’s a mentality now: It’s time, because we’re saying it’s time, and we’re out now – deal with it and be respectful.”