Twisting our credulity

“She is known for her powerful, husky voice, and poetic and somewhat obscure lyrics.”

The number of female singers with deep “husky” voices clearly outnumber what one would expect to find naturally. Of course there seems to be nothing natural about the music industry.  And much like many fellow pop-stars there is something very artificial with Tanita Tikaram as well.

Tanita Tikaram was born to an Fijian-Indian British Army soldier and a Malaysian mother so her physical looks are indeed inhabitual – still it is hard not to notice her typically male voice and masculine looks regardless of origin.

Tikaram must today be regarded as something of a one hit wonder – and her biggest hit came with her debut album at only 19 years old with her first singles that became top 10 hits around Europe. None of Tikarams later efforts ever matched her debut album and her popularity has quietly dropped since her smashing debut. Maybe her looks and voice did get noticed, only not by the public but rather by the music executives who detected what we see today – Elite Gender Inversion.

Tanita Tikaram “Twist In My Sobriety” – 04:36 (mm:ss)


Tanita apparently drinking from a teacup


Pretty visual play here – ‘Manita’ some might think


Tikaram playing bull with short index fingers

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Nino Simone

lukeslark – 07:03 (mm:ss)
Black Is The Color Of My True Love’s Hair (1969)


The music industry might on close inspection be the most EGI ridden field there is. Besides the apparent traditions in Elite families to invert gender, the ever improving hormone treatments surely present additional incentive for such a prominent share of top musicians to practice Elite Gender Inversion. The greatest vocalists of the past according to popular lore were surely the “castrati”, who were admittedly produced from hormone alterations caused by castration.

The myth around the castrati opera singers were of course that they were young boys from poor families who were emasculated before puberty motivated on behalf of their parents by financial gains. This theory does seem plausible today in light of EGI as we know hormones were widely popularised during the renaissance among the Elite and what effect such chemicals produce in the body, namely the exact same symptoms as castration. It would therefore fit perfectly with the Elites modus operandi to keep their secret knowledge of hormonal alchemy to themselves all while spreading horrible stories to the general public.

There is little incentive for a class of individuals who idealise hermaphroditic gods and deviant sexual behaviour to suddenly sexually maim their own role models when the desired voice-alterations can be obtained as effectively with hormones. Not to mention the Elites apparent taste for prepubescent boys, toys intact. The fact that the castrati opera singers were immensely popular and wealthy in their time also begs the question if these individuals really came from poor families as we today are told similar stories of our contemporary celebrities – which never seem to be the case. Brad Pitt never delivered anyone newspapers in the morning to pay for his lunch.

If we assume that todays Elite has preserved their place in society through carefuly preserving their lineage, possessions and fortunes, we must naturally conclude that this holds true as well for popular entertainers who more often than not seem to be groomed early age to become rich and famous. The transmission of trade-secrets and knowledge would therefor give Elite families offspring an unfair advantage compared to the regular stock – and additionally the financial ease and social network would make it close to impossible for anyone normal to gain foothold in such industries as music.

There might be exceptions – but the elite have an unfair advantage that is best kept by secrecy and empty promises to the masses such as anyone can become president. Well, they can’t and they won’t. I’d say the same applies to music – especially as the Elite seems to have hormones even moreso on their side in this domain than in politics. How many cisgenders can objectively compete for attention in company of castrati voice profiles trained from a young age ?

One of the most mythical voices of jazz and popular music was surely Eunice Kathleen Waymon aka Nina Simone – the High Priestess of Soul. Her voice is described being ‘androgynous’ with an unusual cracking low range with magnificent intensity. Simone is regarded as one of the most influential recording artists of the 20th century and the 29th greatest singer of all time according to Rolling Stone magazine.

Nina Simone (1933-2003) had a long and successful career and despite her popularity were at it’s peak in the 1960s, there is still a good record of her performances and recordings available in video and audio form.

Today most artists will be discovered through audiovisual media, but that was not necessarily the case before – so many will have heard Nina Simone more often than they have seen her. No doubt that Simone does make an impression when you hear her sing – whether it be pleasure or frustration. However, when you go back and watch her as she performs – your impression might change in light of her predominantly masculine appearence, especially with EGI in mind.

nina simone 1960
Nina Simone in concert (ca. 1960)

All the more i look back at the music i’ve enjoyed in earlier years – it is quite scary how unrepresentative these individuals really are to me today. I can still enjoy the music in parts of course – but i’m very compelled to ask myself if i could not have bonded with whatever type of music presented in my youth and that guided me when music was an important distraction from my parents and forced schooling, even identified me socially among youth and dictated my dress code.

nina simone 1999 England
Nina Simone in concert UK 1999

Regarding Simone, what speaks the most is actually the various videos hereunder – nevertheless it might be worth noting from the photos that Nina Simone has a typically male sloping forehead and very wide dental arch, and these features alone makes it improbable she ever was born female nor could have any children. Analysing her features it becomes clear she’s had a severe jaw contouring which gives her a very awkward profile which serves to counter-balance her distinguished male forehead.

By studying this case through the multiple videos and visuals it is disheartening, almost sad, to see Simone change over time by the effects of hormone therapy and witness the efforts made by the artist to act as a natural woman despite her evidently masculine nature.

Andres Burbano – 7:04 (mm:ss)
Nina Simone – Sinner Man


EGI Forum entry found here

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Chap (man)


Tracy Chapman born in Cleveland Ohio 1964

Some individuals in the entertainment industry are clearly scripted to test our critical faculties and in the case of Tracy Chapman it safe to say we are well served.

When i discovered Chapman as young, i did already pause and ask myself if this individual really could be a woman as she was represented to be. Everything seemed wrong – her voice, her face, her body… Not to mention Chapman lately came out as a lesbian and longtime partner of Alice Walker (author of The Color Purple). Even her name went by unnoticed at the time, but looking back.. Chapman.. Really ?

The purpose for making some EGI cases obvious and somewhat blatant as with Chapman can be of psychological nature. As a matter of fact, when we accept this type of couvert psychological abuse it constitutes a subtle but efficient attack on our critical mind, and we might in fact modify our behaviour as we subconsciously thus bond to our aggressors (traumatic bonding). With Chapman we are flagrantly abused by the music industry and the mainstream press – music to the ears of some.

Many openminded alternative researchers apparently have their eyes wide shut, but the abuse to which we are all subjected is consequential and to repair the damage might take longer than what we might anticipate. It is an easy excuse to find plausible denial in the many difficult cases as transvestigators try to catch up to the latest and sometimes unlikely candidates for Elite Gender Inversion.

EGI resistant researchers really do not need more than one affirmative case in order to forcibly reevaluate their position and attitude. If there are indeed Elite members who impersonate the opposite gender consciously, wilfully and knowingly to our incredulity and detriment – it is only the abusive bonding to the system we live under that prevent ‘critical minds’ to see what is so screamingly obvious in many celebrities and especially in this case – it is a Chap, man !

Atlantic Records – 04:24 (mm:ss)
Tracy Chapman – Bang Bang Bang

likes this

Can you hear her ?


Jimmy Somerville (1961) known from Bronski Beat, The Communards

There are many female vocalists* with “husky” voices, but also men with very castrato-like female pitch, also known as countertenors or falsetto. Not all such singers will perform in opera houses these days, even though the term and qualities of the classical “castrato” singer often are mentioned and used to describe modern vocalists as well (ex. Javier Medina, Jimmy Scott, Jorge Cano, Paulo Abel do Nascimento).

As much as the Castrato* might in reality be a purposefully shrewd misrepresentation of transgendered girls, it does seem equally probable that the Elite have pursued their efforts to produce hormonal voice wonders with Elite Gender Inverted individuals also today, and that they just rebranded their top products with the advent of modern audio and audiovisual media. The horror story of castration was likely no longer needed when everyone could be experiencing the direct effects of music from records and radio as popular music became reality.

There are of course many male artists that might be suspect of participation in the Elite gameplan and thus taking advantage of hormonal treatments (HRT) to inherit extra-ordinary vocal qualities. One of the most glaring exemples of what i strongly suspect is a gender inverted ‘male’ castrato would be 80s popstar Jimmy Somerville in his short stature, narrow shoulders and wiggling wide’ish waist. Despite his physical features and early baldness – his voice just sound exactly what we can expect from a modern-day EGI castrato.

Jimmy Somerville OFFICIAL – 03:02 mm:ss
Smalltown Boy Reprise 2014


*Female artists with deep voices
egi.fakeologist.com/2017/02/15/can-you-hear-him

*Castrato article
egi.fakeologist.com/2017/02/09/no-rolling-stones

EGI forum post entry here

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