Male Mother Mystery

Robbie Williams with newborn Theodora
Robert Peter “Robbie” Williams 2012 with newborn Theodora Rose

The current focus of Youtube transvestigator Hans Wormhat is now turned towards scripture and the most elusive side of Elite Gender Inversion – the Female to Male secret transgenders. On the religious bent it is difficult for me to follow Hans Wormhat, but his recent “Pregvestigations” are really poignant and mostly very well elaborated. Kudos to Wormhat for breaking open a question that for too long was left untouched.

Those who do read the Fakeologist EGI forum thread might remember how this very topic was elaborated upon in december 2016 and in light of the recent “pregvestigation” videos and new cases now coming out from Hans Wormhat it might be worthwhile to highlight how close to the scenario laid out back then it seems we have gotten today.

Original post (16-12-2016) from the EGI forum here

Everyone can possibly agree that childbirth is truly magic.

For the Gender Inverted Elite this could be even more-so true. Maybe literally. How can a MTF (Male To Female) individual give birth or have a child ?

If the Elite switch gender and still manage to reproduce, they must have a very elaborate process worked out to manage their offspring. Effectively, an Elite housewife will most probably have the inconvenience of not disposing the right reproductive system for taking care of either pregnancy nor child-birth. Today of course there are all types of alternative methods to both conceive a child as there is for the child-bearing itself. Famous examples like soccer player Cristiano Ronaldo or singer Ricky Martin have very publicly opted for surrogate mothers.

However advanced modern Assisted Reproductive Technologies ( ART ) have become, the Elite must have managed this process even in the olden time. As modernity may hint at, the EGI might even consider their reproductive phase as their most ancient form of Art – how to stage their inverted child-process and pass it for real.

The first part is called “The Pledge”. The magician shows you something ordinary: a deck of cards, a bird or a man. He shows you this object. Perhaps he asks you to inspect it to see if it is indeed real, unaltered, normal. But of course… it probably isn’t.

The second act is called “The Turn”. The magician takes the ordinary something and makes it do something extraordinary. Now you’re looking for the secret…

But you won’t find it, because of course you’re not really looking. You don’t really want to know. You want to be fooled. But you wouldn’t clap yet. Because making something disappear isn’t enough; you have to bring it back. That’s why every magic trick has a third act, the hardest part, the part we call “The Prestige”.

Christopher Priest, The Prestige

When we consider the efforts produced by a Gender Inverted Elite to have us believe in their public display of the opposite gender, child-birth might be regarded as child-play in comparison. Maybe there is also a large part of duping delight involved as well. People who all since childhood put on a very convincing performance must somehow be thrilled to engage in a new act, performed by their ancestors since time and memorial. As an uninitiated public, we can mostly only observe that far to many stars and personalities do look rather artificial while sporting bellies that often look like an ill positioned cushion.
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EGI Child birth
– might partly be done as follows (with many variations within):
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Act 1 – The Pledge :
•FTM individual keep strict diet and prepare for early birth, quick recovery
•FTM pregnant individual move, do business trip, vacation or hide last 1-3 months
•MTF play pregnant, gain weight and gather public attention with family & friends

Act 2 – The Turn :
•FTM (pregnant) male arrive at hospital incognito or give birth in private clinic
•Child is born (early) and kept in incubator and/or transported on location
•MTF fake start of birthing process and is very publicly taken to the hospital

Act 3 – The Prestige :
•Child announced at selected date – nobody notice slight age difference for babies
•MTF very publicly announce birth at hospital and display child for images/press
•FTM either present during childbirth staging or arrive « late » if tough birth
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Prince Charles and Diana with newborn William
Prince Charles of Wales and Princess Diana
•Leaving St. Mary Hospital with Prince William Duke of Cambridge born 21/6 in 1982

Prince William and Kate with newborn George
Prince William Duke of Cambridge and Duchess Catherine
•Leaving St. Mary Hospital with Prince George of Cambridge born 22/7 in 2013

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Poly tricks


Rosa Luisa DeLauro – in the US House of Representatives since 1991

We are all used to the expression ‘Politics is show business for ugly people’ and when we pause and realise Elite Gender Inversion is all over Hollywood it quite logically follows that politics might be as full of EGI as acting itself.

What might take some time realise is that as much as Hollywood play on the archetypes of beauty – Politics is on the contrary taking the opposite direction towards bad looks – and often plain ugliness.

To pause and take inn every feature of a repulsive looking person is of course not natural behaviour, and for this reason we mostly never notice or analyse very thoroughly any politicians face. In other words, ugliness is a very effective tactics for disguise – more so than Hollywood’s obsession with beauty that invite the public to stare and adorn thus looking with more attention. Of course, to look closely does mean that most really see. But to not look in the first place must constitute even better assurance for politicians to remain well guarded from public scrutiny.

If we counter-intuitively lend ourselves to the game of actually observing closely, we might all notice what MrE lays out in a number of his recent videos : female politicians are quite often men acting as women, and blatantly so. Elite Gender Inversion at a significant scale, hidden in plain sight.

There is nothing more deceptive than an obvious fact
-Arthur Conan Doyle

The scale of the EGI community is for most difficult to evaluate – are there just some cases or are there many ? The wide variety of physical traits in the population and also amongst the Elite makes it difficult to judge the EGI presence as a whole. The criteria will change according to the origin and ‘genetic’ makeup. How well we individually can recognise gender characteristics in different types of individuals can vary and some Elite individuals will be easier to identify as some have handicaps (aesthetically speaking) when it comes to how well they can successfully transit between genders physically.

What is certain nevertheless is that a majority of female politicians are indeed transpicious, and from the exemples MrE showcase in his videos (below) we have to finally realise that EGI is far from being just a few cases in politics. There are many female politicians born male and merely acting as women. So much so that we must assume this is well known to the whole political class – there are too many cases and too much intimacy and cohesion between politicians for anyone in this ‘industry’ to be oblivious to such a fundamental fact and constitution.

And there are many EGI entities in politics since a long time back – so far back it is excluded the Elite could choose their offsprings gender solely male as is now the case with modern assisted reproduction technology. It is therefore unlikely, or impossible rather, that everyone in politics are male… This fact forces the logical conclusion that many of the men in politics are inverted as well.

Of course, it is easier to spot men acting as women due to the fact male hormones have such a huge impact of the physical appearence of a female subject. Still, the rationale here is simple – there are a predominance of female politicians that are in fact men and it follows that a large part of male politicians are in fact born female. I don’t like it, you might not like it – yet it cannot be otherwise as majority of females in the political class turn out to be of male birth.

Further, the physical traits in policial couples are also clearly inverted which makes it is more likely it is our faculty to analyse gender-typical traits that is lacking more-so than inversion being practiced only on men and that the Elite give birth to only baby boys. Numerically such an occurence is not rational or even possible according to any birth statistics available.

Where there is one, there are many

MrE does not go all the way to the mandatory male portion of the EGI equation in politics (yet), but he should and… we must. EGI is a variety of tricks for both males and females, and in politics they seem to use them all – EGI poly tricks.

House of Trannies – 15:46 (mm:ss) – MrE


Gender Bending US Senators – 15:50 – (mm:ss) – MrE


Janet Yellen 16 Trillion Dollar Man – MrE – 08:12 (mm:ss)

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Restless Male Creature


Wendy Whelan in her final 33rd year at the NYCB (1981-2014)

Ballet is undeniably upper class since its inception as a Royal art in the 1600s. Todays ballet has incorporated many modern variations – most notably in the United States by George Balanchine who developed neoclassical ballet. Wendy Whelan was supposedly “created” for Balanchine ballet as she lead the New York City Ballet for more than three decades dancing a repertoire of more than 50 ballets.

Wendy began her dance training with Virginia Wooton (VW) at the tender age of 3 in Louisville and later joined the official school of New York City Ballet (SAB) at the age of 14. A spine injury (scoliosis) made the young ‘lady’ obliged to wear a heavy plaster cast for quite a while – most possibly an astute explanation for advanced manipulation of her actual male type back and pelvis in order to comply with her future role as the principal female (!) dancer at the NYCB.

After 33 years with the New York City Ballet, Wendy Whelan left in the stage in 2014 all while she had already begun a new nationally adventure in 2012 called “Restless Creature” where Wendy Whelan dance duets with the choreographers of each part of her ballet performance. The homonymous “Restless Creature” documentary film seem to be the foundation Whelan’s legend will be built from as a role-model female who vanquished her serious physical deformity and earned her way to the top through hard work.

There are 33 known degrees in freemasonry that is supposed to lead to the title of Master Mason or MM and rotated 90° clockwise the MM’s becomes 33. The same is the case with Wendy Whelans acronym when rotated counter-clockwise. WW equals 33 which indicates how Wendy Wheelman’s name (WW) is no accident and strongly suggest her role as the lead dancer in american ballet was wilfully orchestrated and that her inversion from male to female began as early as 3.


Wendy Whelan on stage (ca. 2011)
•male length arms and proportion, discernible adonis belt despite clever costume, important trachea, male size ribcage & no space for pregnancy, sloping forehead and male hairline, masculine facial profile with important nose and general wide features


Wendy Whelan dance study series by Howard Schatz (ca.2000)
•legs of steel – male type calves and long thigh muscles with compact masculine gluteus muscles (butt region)


Wendy Whelan and Craig Hall in ‘After The Rain’ 2012
•typical muscular male legs and important knee-caps and calves, worrisome pelvis-bulge, sizeable ribcage, long neck and male face profile with square jawline, chin and nose


Wendy Whelan and Craig Hall – close-up
•obligatory closer look at the worrisome pelvis-bulge – this is (in french) male genitalia with tucked testicles


Wendy Whelan published frequently all through her mysterious hip injury in 2014
•Whelan’s hospital tweet show her female digit ratio with a measurable longer index-finger than ring finger – reassuring one would be led to believe


Wendy Whelan from Boston Globe coverage 2013
•In this face-shot is discernible how Wendy Whelan has a clearly shorter index finger than the hospital close-up would suggest. In other words, WW finds it useful to doctor imagery of her hand to imitate female digit-ratio


Wendy Whelan photographed by husband by David Michalek for Vanity Fair magazine 2014
•male body proportions with big head, big hands, square shoulders, long humerus bone and male legs with big feet


Wendy Whelan – unanimous acclaim after ‘Restless Creature’ performance
•square shoulders and straight up & down body frame, huge male size ribcage & no space for pregnancy, male chin bones, deep eyes, male nose

*original article here

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The Godmother


Al Capone with his head enlarging mobster hat and the habitual cigar (around 1930)

No doubt that contemporary urban violence and horror are in large parts influenced by the image left from the numerous gangsters that roamed the city streets since early last century. The big kingpin of urban violence is of course the supreme mobster Don – the Godfather.

No don has done more for the mobster image than the original “Scarface”, Alphonse Gabriel Capone (1899-1947). Al Capone reigned supreme in Chicago from January 1925 when mafia chief Torrio handed over the reigns to Capone. After much violence and ins and outs with justice, Capone left a bloody trail of 33 bodies behind when he was ultimately sent away to Atlanta US Penitentiary in May 1932 to serve an 11-year sentence for tax evasion…

Capone was predictably aged 33 at the end of his 7 year reign over Chicago and weighed in heavy at 110kg upon incarceration. Responsible for multiple brothels, the big Don was not only overweight at this point, but also afflicted with several sexual deceases such as syphilis and gonorrhoea. He might have been considered a fuckalot by the standards of the interwar period.

Maybe Capone was at his outmost best when portrayed in the Godfather series of films (1972-90), most notably incarnated by Marlon Brando. Robert de Niro who also portrayed Al Capone as a youngster came across as way too thin compared to the beefy Capone. Brando with his chubby figure was a better fit as he equally shared some of Capone’s soft looks.

Al Capone is portrayed as scary from his facial scars (hence Scarface) and count of victims and even was elected public enemy n° 1 (Chicago 1930) – but Don Capone looked all but masculine when analysed anatomically with his short arms, small hands, close facial features, short mouth, full red lips, prominent eyelashes and shallow eyes. The Don seems a Donna and Al Capone part of the EGI as a female to male trickster.

I’m like any other man. I’ve been in this racket long enough to realize that a man in my game must take the breaks, the fortunes of war. I haven’t had any peace of mind in years. Every minute I’m in danger of death.”
-Alphonse Gabriel Capone

Not much seems to have changed since the time of the artificially created prohibition. The violence of todays terrorism seems as artificial as the glorified mobsters of the day, and the numerous films and lifetime actors likewise. If the Godfather is in reality a harmless, armless Donna, was any of the mobster violence even ever real ?


Al Capone during trial 1929 – looking as confident as always
•Typical female round head-shape with complete lack of neck and Adams apple, no jawline, no cheekbones, little brow structure an pulpous (red) lips 


Al Capone during another trial 1931
•Small shallow eyes, no neck, fleshy female cheeks and no cheekbone and typically female pulpous (red) lips – smiling helps FTM impersonation as it widens the mouth that is otherwise clearly short with full lips


Al Capone ca. 1930
•Despite the hat, suit and tie – Capone displays typically female body features with small ribcage, little to no neck, short arms, small hands and overall feminine chubbiness.


Al Capone ca. 1930
•Again typically female body features with very narrow shoulders despite clothes, small chest area  little to no neck, very short arms and discernible important hips.


Al Capone in Miami – mid or late 1920s
•By judging Capone from the belly, arms and kid alone – anyone would expect this individual to be a pregnant woman (speculation here) – he/she has very short motherly  arms indeed… 

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