Restless Male Creature


Wendy Whelan in her final 33rd year at the NYCB (1981-2014)

Ballet is undeniably upper class since its inception as a Royal art in the 1600s. Todays ballet has incorporated many modern variations – most notably in the United States by George Balanchine who developed neoclassical ballet. Wendy Whelan was supposedly “created” for Balanchine ballet as she lead the New York City Ballet for more than three decades dancing a repertoire of more than 50 ballets.

Wendy began her dance training with Virginia Wooton (VW) at the tender age of 3 in Louisville and later joined the official school of New York City Ballet (SAB) at the age of 14. A spine injury (scoliosis) made the young ‘lady’ obliged to wear a heavy plaster cast for quite a while – most possibly an astute explanation for advanced manipulation of her actual male type back and pelvis in order to comply with her future role as the principal female (!) dancer at the NYCB.

After 33 years with the New York City Ballet, Wendy Whelan left in the stage in 2014 all while she had already begun a new nationally adventure in 2012 called “Restless Creature” where Wendy Whelan dance duets with the choreographers of each part of her ballet performance. The homonymous “Restless Creature” documentary film seem to be the foundation Whelan’s legend will be built from as a role-model female who vanquished her serious physical deformity and earned her way to the top through hard work.

There are 33 known degrees in freemasonry that is supposed to lead to the title of Master Mason or MM and rotated 90° clockwise the MM’s becomes 33. The same is the case with Wendy Whelans acronym when rotated counter-clockwise. WW equals 33 which indicates how Wendy Wheelman’s name (WW) is no accident and strongly suggest her role as the lead dancer in american ballet was wilfully orchestrated and that her inversion from male to female began as early as 3.


Wendy Whelan on stage (ca. 2011)
•male length arms and proportion, discernible adonis belt despite clever costume, important trachea, male size ribcage & no space for pregnancy, sloping forehead and male hairline, masculine facial profile with important nose and general wide features


Wendy Whelan dance study series by Howard Schatz (ca.2000)
•legs of steel – male type calves and long thigh muscles with compact masculine gluteus muscles (butt region)


Wendy Whelan and Craig Hall in ‘After The Rain’ 2012
•typical muscular male legs and important knee-caps and calves, worrisome pelvis-bulge, sizeable ribcage, long neck and male face profile with square jawline, chin and nose


Wendy Whelan and Craig Hall – close-up
•obligatory closer look at the worrisome pelvis-bulge – this is (in french) male genitalia with tucked testicles


Wendy Whelan published frequently all through her mysterious hip injury in 2014
•Whelan’s hospital tweet show her female digit ratio with a measurable longer index-finger than ring finger – reassuring one would be led to believe


Wendy Whelan from Boston Globe coverage 2013
•In this face-shot is discernible how Wendy Whelan has a clearly shorter index finger than the hospital close-up would suggest. In other words, WW finds it useful to doctor imagery of her hand to imitate female digit-ratio


Wendy Whelan photographed by husband by David Michalek for Vanity Fair magazine 2014
•male body proportions with big head, big hands, square shoulders, long humerus bone and male legs with big feet


Wendy Whelan – unanimous acclaim after ‘Restless Creature’ performance
•square shoulders and straight up & down body frame, huge male size ribcage & no space for pregnancy, male chin bones, deep eyes, male nose

*original article here

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The Godmother


Al Capone with his head enlarging mobster hat and the habitual cigar (around 1930)

No doubt that contemporary urban violence and horror are in large parts influenced by the image left from the numerous gangsters that roamed the city streets since early last century. The big kingpin of urban violence is of course the supreme mobster Don – the Godfather.

No don has done more for the mobster image than the original “Scarface”, Alphonse Gabriel Capone (1899-1947). Al Capone reigned supreme in Chicago from January 1925 when mafia chief Torrio handed over the reigns to Capone. After much violence and ins and outs with justice, Capone left a bloody trail of 33 bodies behind when he was ultimately sent away to Atlanta US Penitentiary in May 1932 to serve an 11-year sentence for tax evasion…

Capone was predictably aged 33 at the end of his 7 year reign over Chicago and weighed in heavy at 110kg upon incarceration. Responsible for multiple brothels, the big Don was not only overweight at this point, but also afflicted with several sexual deceases such as syphilis and gonorrhoea. He might have been considered a fuckalot by the standards of the interwar period.

Maybe Capone was at his outmost best when portrayed in the Godfather series of films (1972-90), most notably incarnated by Marlon Brando. Robert de Niro who also portrayed Al Capone as a youngster came across as way too thin compared to the beefy Capone. Brando with his chubby figure was a better fit as he equally shared some of Capone’s soft looks.

Al Capone is portrayed as scary from his facial scars (hence Scarface) and count of victims and even was elected public enemy n° 1 (Chicago 1930) – but Don Capone looked all but masculine when analysed anatomically with his short arms, small hands, close facial features, short mouth, full red lips, prominent eyelashes and shallow eyes. The Don seems a Donna and Al Capone part of the EGI as a female to male trickster.

I’m like any other man. I’ve been in this racket long enough to realize that a man in my game must take the breaks, the fortunes of war. I haven’t had any peace of mind in years. Every minute I’m in danger of death.”
-Alphonse Gabriel Capone

Not much seems to have changed since the time of the artificially created prohibition. The violence of todays terrorism seems as artificial as the glorified mobsters of the day, and the numerous films and lifetime actors likewise. If the Godfather is in reality a harmless, armless Donna, was any of the mobster violence even ever real ?


Al Capone during trial 1929 – looking as confident as always
•Typical female round head-shape with complete lack of neck and Adams apple, no jawline, no cheekbones, little brow structure an pulpous (red) lips 


Al Capone during another trial 1931
•Small shallow eyes, no neck, fleshy female cheeks and no cheekbone and typically female pulpous (red) lips – smiling helps FTM impersonation as it widens the mouth that is otherwise clearly short with full lips


Al Capone ca. 1930
•Despite the hat, suit and tie – Capone displays typically female body features with small ribcage, little to no neck, short arms, small hands and overall feminine chubbiness.


Al Capone ca. 1930
•Again typically female body features with very narrow shoulders despite clothes, small chest area  little to no neck, very short arms and discernible important hips.


Al Capone in Miami – mid or late 1920s
•By judging Capone from the belly, arms and kid alone – anyone would expect this individual to be a pregnant woman (speculation here) – he/she has very short motherly  arms indeed… 

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Like MTF mother, like sons (daughters?)

When a celebutard is used to push the transgenda, you know that the suspicions of them being EGI are valid.

Actress Megan Fox has shared rare images of her sons on Instagram.

The doting mom surprised followers on Monday when she posted individual Polaroid photos of her three boys – Noah, four, Bodhi, three, and Journey, almost one.

The playful shots feature the adorable children alongside solo pictures of Fox and her husband Brian Austin Green, and it’s clear the couple has no problem with its boys cross-dressing – in the snap of Bodhi, he is shown dressed as the princess Elsa from Frozen.

A sane tweet:

So disappointed in Megan Fox, who I love, for buying into the gender fluid sickness. She dresses her 4 yr old son like a girl (top left)

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