Why do I like this song so much?
Why does she look like a man?
I was a big fan of Brian Adams – back in the day.
Taylor Swift is still relevant, and watching it in contrast to a relatively short Brian Adams, assumed cis-man, makes it clear that it is not a woman, and, more likely, born a male.
The way it moves, the way it towers over Brian, the way it belts out a tune, makes it more a man in a drag, all the way to a carefully crafted EGI woman.
Any appearance of a celebrity in the media will presumably always be planned and pre-arranged. When it comes to Royalty they are followed by a whole team of journalists, dedicated news-magazines and all-around global press coverage of any significant event.
Kate Middleton is the current Duchess of Cambridge and married to Prince William who is destined to become king of the United Kingdom. Middleton has been discussed and analysed before* as she clearly does not appear fit to carry any child despite the large hands and her best efforts to put on weight.
•Catherine Elizabeth Middleton here pose in a purposefully staged shot heavily figuring her digit ratio as clearly female as it is altered to appear so
Childbirth would historically be a particularly important illusion* for the EGI. In order to effectively incarnate their inverted gender-role, the act of birth is clearly one of the most emblematic moments the Elite have to present to the public. And the bigger the lie, the harder it is for the public to fathom what they are presented.
Of course, once you have shed away the veil of magic the fact remains that the Elite still have to put up a performance for their public make-believe incarnation of the opposite sex to hold true. The fact there is nothing natural about the act of birth as portrayed by the EGI in public – they still make considerable efforts to play the act to perfection.
“Considering that Mia Farrow’s character in the movie is impregnated with Satan’s child by a coven of witches, the similarities are eerie and completely unsettling if you think about what it could possibly say about the newborn prince.”
– Lyndsey Matthews for Harper’s Bazaar
Sometimes fakery and fraud can be detected by the absence of natural human behaviour replaced by artificially over-produced scripts. In the case of Kate Middleton’s assumed fake child-birth, it seems the scriptwriters went to great lengths to find symbology in the dressing-code and thus thread far too heavy on the artificial nature of the commonly trivial occurrence of a newborn child.
Effectively, the scriptwriters behind the scenario for Kate Middleton’s magic act of producing a child she never was impregnated with seems to have their fingers stuck in the cinema cookie jar as they directly copied Mia Farrow’s dress from the occult masterpiece for some* : Rosemary’s Baby from 1968 (wiki)
•the very same dress worn by 50 years later well demonstrate the over-emphasis that can occur when you try too hard and there are no real facts to hang on to
*a fairly recent transvestigation by “Trans Investigator” – video here
*speculation on EGI childbirth magick in the forum – post here
*red dress coincidence theory from Harper’s Bazaar – article here
Music is an influential medium where the audience can be easily mislead. The pop-culture have since long introduced very influential role-models who does not seem to be promoted merely because of their musical prowess (i.e. lip syncing & autotune) but more often popularised according to their potential cultural influence, particularly in younger generations.
Sometimes the lines between talent and life-time acting seem blurred as some musicians have undeniable talent but an image that seems overly artificial or ackward. Maybe such impressions are the result of conflicting ideas about how to promote an artist or under what agenda their talent can be of use. Either way, looking back at Mick Hukcnall (wiki) it is easy to detect a large array of styles and memes but unfortunately no probant rhetoric that ever was able to make Simply Red’s lead singer any more masculine in appearence or as a pop icon.
Holding Back The Years (Live) – Manchester 1990 – 03:24 (mm:ss)
As with other artists covered previously (Tanita Tikaram, Nina Simone, Tracy Chapman, Jimmy Somerville or Kim Carnes & others), it is not merely the looks that betray Mick Hucknall but also the high pitched voice. No doubt, major efforts have been made to arrange the melodies and vocal style as to mask the female qualities of his voice. Listenening anew on many of Simply Red’s tracks it is nevertheless evident that Hucknall has an unlikely ease of singing very high tones despite his somewhat ‘husky’ speaking voice.
What better than to disguise such a short grown effeminate singer as an alpha male and serial dating fuckalot ? As suspected, Mick Hucknall is not shy of apparently jaw-dropping female conquests including super models, celebrity actresses and other stars such as Helena Christensen, Catherine Zeta-Jones, Adriana Karembeu, Steffi Graf or Brigitte Nielsen to name but a few.
‘A red-headed man is not generally considered to be a sexual icon but when I had the fame, oh my God, it went crazy. Between 1985 and 1987, I would sleep with about three women a day, every day. I never said No. This was what I wanted from being a pop star. I was living the dream and my only regret is that I hurt some really good girls.’
–Mick Hucknall in 2010 ‘The Guardian’ interview (article)
The enticing hit song entitled ‘Holding Back The Years’ made Simply Red globally famous in the mid 1980’s and in that respect it is ironic that Mick Hucknall today seems unable to hold back the years very well in regards to EGI. In fact it rather seems like Simple Red’s lead singer is struggling to both maintain his weight and appearence. Time does not play well a lot of celebrities, and the changes we witness are not merely due to failed plastic surgery, weight-gain and poor lifestyle. More often than not celebrity appearence breakdown is better explained by Elite Gender Inversion and the procedures and medical treatments it entails.
Mick Hucknall at 2006 Nobel Peace Prize Concert press conference in Oslo
•close facial features, small close set eyes, short nose, short mouth, no jawline and female red-coloured lips
As we develop into adults the gender-typical differences are slighter than with age as many gender typical traits are accentuated with time. For individuals who are deceptively incarnating the opposite gender, this development is of course problematic as it leads to natural males accentuating their male traits and vice versa. For Hucknall it is clear he completely lack many male features such as hip to shoulder ratio, browbone structure, decent collar bones or male jawline.
Mick Hucknall in 2010 staged beach photo shoot (Cala di Volpe, Sicily)
•female shoulder to hip ratio, proportionally small head (typically female) partly disguised by voluminous hairstyle
Simply Red “Men and Women” album cover (1987)
•Mick Hucknail has female digit-ratio and his long index serves him well as he twist fingers to indicate Elite Gender Inversion all while making the popular celebrity hush-hush sign as well.
This is supposed to be a photo of a very young Catherine (below) with what’s labeled as mother and brother.. but this person with the children just doesn’t look like natural born mom material.. And I don’t say this due to the outfit alone… though it doesn’t help as a deciding factor either.. and I can’t help but notice the poor little fella on the right appears to be holding his legs together like he has to pee real bad
Catherine Zeta Jones “Me Too” Too! transvestigator.com/education/__trashed-4/
Daniela Sofia Korn Ruah (born December 2, 1983) is a Portuguese-American actress best known for playing NCIS Special Agent Kensi Blye in the CBS police procedural series NCIS: Los Angeles. Ruah was born in Boston to Portuguese parents, where her father was a surgeon and her mother an otologist.Daniela Ruah & Linda Hunt: Are They NCIS Los Angeles’ MTF’s? transvestigator.com/generational-satanist-sra-transgendering-children/daniela-ruah-linda-hunt-are-they-ncis-los-angeles-mtfs/
Gloria Estefan (born September 1, 1957) is a Cuban-American singer, songwriter, actress, and businesswoman. She started off her career as the lead singer in the group called “Miami Latin Boys” which was eventually known as Miami Sound Machine.