One big woMAN – Taylor Swift

I was a big fan of Brian Adams – back in the day.

Taylor Swift is still relevant, and watching it in contrast to a relatively short Brian Adams, assumed cis-man, makes it clear that it is not a woman, and, more likely, born a male.

The way it moves, the way it towers over Brian, the way it belts out a tune, makes it more a man in a drag, all the way to a carefully crafted EGI woman.

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Royal Red Herring

Any appearance of a celebrity in the media will presumably always be planned and pre-arranged. When it comes to Royalty they are followed by a whole team of journalists, dedicated news-magazines and all-around global press coverage of any significant event.

Kate Middleton is the current Duchess of Cambridge and married to Prince William who is destined to become king of the United Kingdom. Middleton has been discussed and analysed before* as she clearly does not appear fit to carry any child despite the large hands and her best efforts to put on weight.

Catherine Elizabeth Middleton
•Catherine Elizabeth Middleton here pose in a purposefully staged shot heavily figuring her digit ratio as clearly female as it is altered to appear so

Childbirth would historically be a particularly important illusion* for the EGI. In order to effectively incarnate their inverted gender-role, the act of birth is clearly one of the most emblematic moments the Elite have to present to the public. And the bigger the lie, the harder it is for the public to fathom what they are presented.

Of course, once you have shed away the veil of magic the fact remains that the Elite still have to put up a performance for their public make-believe incarnation of the opposite sex to hold true. The fact there is nothing natural about the act of birth as portrayed by the EGI in public – they still make considerable efforts to play the act to perfection.

“Considering that Mia Farrow’s character in the movie is impregnated with Satan’s child by a coven of witches, the similarities are eerie and completely unsettling if you think about what it could possibly say about the newborn prince.”
Lyndsey Matthews for Harper’s Bazaar

Sometimes fakery and fraud can be detected by the absence of natural human behaviour replaced by artificially over-produced scripts. In the case of Kate Middleton’s assumed fake child-birth, it seems the scriptwriters went to great lengths to find symbology in the dressing-code and thus thread far too heavy on the artificial nature of the commonly trivial occurrence of a newborn child.

Effectively, the scriptwriters behind the scenario for Kate Middleton’s magic act of producing a child she never was impregnated with seems to have their fingers stuck in the cinema cookie jar as they directly copied Mia Farrow’s dress from the occult masterpiece for some* : Rosemary’s Baby from 1968 (wiki)

Rosemary s baby 50 years later
•the very same dress worn by 50 years later well demonstrate the over-emphasis that can occur when you try too hard and there are no real facts to hang on to

*a fairly recent transvestigation by “Trans Investigator” – video here

*speculation on EGI childbirth magick in the forum – post here

*red dress coincidence theory from Harper’s Bazaar – article here

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Boy Downstairs

There is no escape from EGI dupers delight as Hollywood continue to promote all the more unlikely female characters as role-models and heroines. For those who take an interest in Elite Gender Inversion there are many question that arise when we evaluate suspect gender makeup. In the case of film director David Mamet’s daughter Zosia – known as Shoshanna Shapiro from the tv-series ‘Girls’ – we might need look no further than her latest feature film.

The Boy Downstairs movie poster
The Boy Downstairs (2017) – Movie poster

It is hard to escape the direct link that is made from the initial interrogation of Zosia Mamet’s gender identity and the apparent answer hidden (well, sort of) within director Sophie Brooks’ debut movie title. Not only does Zosia look like boyish – something is apparently going on downstairs.

In the film scenario it is Zosia Mamet’s ex-boyfriend that lives in her basement and portray ‘the boy downstairs’. However the role is played by the chubby, effeminate looking Matthew Shear (anagram : ‘She Ra’) which again hint at more layers of inversion both literally and metaphorically.

Zosia Mamet
Zosia Mamet (2016) is a firm believer in ”fake it til you make it” (link)
•very large skull, defined collar-bone, straight shoulders, strong neck, big ears, male hairline, thick eyebrows over a huge brow-ridge, long prominent nose, deep-set eyes, sizeable chin and mouth

Research so far strongly suggests that Elite Gender Inversion runs in Elite families where these occult traditions originate many generations back. EGI is thus not a behavior only made possible through modern medicine, but rather an ancient art practiced through the ages (God created EGI) and particularly well demonstrated and manifest in Medieval and Renaissance theatre where the cast traditionally was all male (women were portrayed by young males in all plays).

The ancient traditions of ‘Boy Players’ (h/t rgos) from Shakespearean theatre do not seem lost, but rather the stage appear merged into our everyday settings where lifetime roles have been administrated by family lineage – not by any public form of audition as the we’ve been misled to believe. The lifetime actors troops must therefore be considerable in size in order to cover all the various parts of public life where scripted performances are required and seemingly performed ad infinitum.

Diana Irvine and Zosia Mamet from The Boy Downstairs
Diana Irvine and Zosia Mamet on the set of ‘The Boy Downstairs’
•both actresses look similar to ‘Boy Players’ of the past when there was no mystery of gender “downstairs”

Film director Director Sophie Brooks and lead actrice Zosia Mamet
Film director Sophie Brooks and lead actress Zosia Mamet
•both girls display male size teeth, wide dental bridges, long noses and male cheekbones and head size

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