Known Nuns

Sr Dolores Farmer co-founder of The Sisters of the Holy Family
Sr Dolores Farmer – co-founder of The Sisters of the Holy Family (S.H.F.)

Religion seems to be the primordial building block for any civilised society and its position gained from authority on topics that objectively have no defined answers. To be able to persuade informed men and women that there is merit to such unverifiable claims as the origin of life and death is on the surface nonsensical – yet every culture seems to have their own recipe readily available.

Belief is itself a very questionnable notion we are incessantly reminded to respect no matter how ill founded. The salesmen of religion have of course their specially designed cookbook where anything can be supported by twist of a verse supported by the authoritative fallacy of it’s author who is not even a man but a versatile God who awaits to judge us in the afterlife.

Such an outlandish proposition would normally make any truth-seeker cringe, and even more-so when they discover to whom the Bible’s author chose to entrust his legacy – a group of unscrupulous men in silk dresses, hats, jewellery and disposing bank-accounts so rich it is beyond decency they dare collect any more money at all let alone pretend to work in the interest of the poor. But they do.

So twisted is the nature of religion that it should be no surprise their fraud is only possible because it is of such proportions the public can not imagine the perversion and dishonesty required for such falsehoods and lies. Hitler called the recipe the big lie and we still have not uncovered just how ‘big‘ the lies of religion really are nor how deep they are rooted.

When we rid ourselves of the incredulity this robed community has mastered to hide behind for far too long we soon encounter obvious problems with the very gender-identity these ‘oh lie’ or ‘holy’ sales representatives have chosen to hide behind.

It would seem a bit risky for the clergy to tie too many links between the church and Holywood but of course these are actors selling the product and no surprise in how some actresses transitioned so well into the role of nuns. The Lord seem to indeed have made his earthly representatives in his own image and that clearly appear to be an inverted reality where sisters are brothers and fathers are mothers.


Dolores Hart – here as a Hollywood actress


Dolores Hart played Elvis Presley’s sweetheart in the movie Loving You (1957) only 18 years old. Later in her career, Dolores met Pope St. John XXIII in Italy during a film shoot, and when she introduced herself as Dolores Hart the Pope responded “No, you are St. Clare of Assisi!”

Mother Dolores Hart 2012
Dolores Hart, now Reverend Mother, arrives at the 84th Annual Academy Awards in 2012 with her ‘former’ Holywood siblings


Olalla Oliveros – during her modelling career


Olalla Oliver is Spanish model and actress that received in her mind the image of herself dressed as a nun upon visiting the Catholic pilgrimage site Fatima in Portugal –  “The Lord is never wrong, He asked if I will follow him, and I could not refuse”.


Olalla Oliver with her Catholic ‘sisters’


Amada Rosa Pérez from Columbia is seemingly the next actress and model expected to turn up in Nun’s clothing as she is currently under religious conversion in a Marian religious community.

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Twisting our credulity

“She is known for her powerful, husky voice, and poetic and somewhat obscure lyrics.”

The number of female singers with deep “husky” voices clearly outnumber what one would expect to find naturally. Of course there seems to be nothing natural about the music industry.  And much like many fellow pop-stars there is something very artificial with Tanita Tikaram as well.

Tanita Tikaram was born to an Fijian-Indian British Army soldier and a Malaysian mother so her physical looks are indeed inhabitual – still it is hard not to notice her typically male voice and masculine looks regardless of origin.

Tikaram must today be regarded as something of a one hit wonder – and her biggest hit came with her debut album at only 19 years old with her first singles that became top 10 hits around Europe. None of Tikarams later efforts ever matched her debut album and her popularity has quietly dropped since her smashing debut. Maybe her looks and voice did get noticed, only not by the public but rather by the music executives who detected what we see today – Elite Gender Inversion.

Tanita Tikaram “Twist In My Sobriety” – 04:36 (mm:ss)


Tanita apparently drinking from a teacup


Pretty visual play here – ‘Manita’ some might think


Tikaram playing bull with short index fingers

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Nino Simone

lukeslark – 07:03 (mm:ss)
Black Is The Color Of My True Love’s Hair (1969)


The music industry might on close inspection be the most EGI ridden field there is. Besides the apparent traditions in Elite families to invert gender, the ever improving hormone treatments surely present additional incentive for such a prominent share of top musicians to practice Elite Gender Inversion. The greatest vocalists of the past according to popular lore were surely the “castrati”, who were admittedly produced from hormone alterations caused by castration.

The myth around the castrati opera singers were of course that they were young boys from poor families who were emasculated before puberty motivated on behalf of their parents by financial gains. This theory does seem plausible today in light of EGI as we know hormones were widely popularised during the renaissance among the Elite and what effect such chemicals produce in the body, namely the exact same symptoms as castration. It would therefore fit perfectly with the Elites modus operandi to keep their secret knowledge of hormonal alchemy to themselves all while spreading horrible stories to the general public.

There is little incentive for a class of individuals who idealise hermaphroditic gods and deviant sexual behaviour to suddenly sexually maim their own role models when the desired voice-alterations can be obtained as effectively with hormones. Not to mention the Elites apparent taste for prepubescent boys, toys intact. The fact that the castrati opera singers were immensely popular and wealthy in their time also begs the question if these individuals really came from poor families as we today are told similar stories of our contemporary celebrities – which never seem to be the case. Brad Pitt never delivered anyone newspapers in the morning to pay for his lunch.

If we assume that todays Elite has preserved their place in society through carefuly preserving their lineage, possessions and fortunes, we must naturally conclude that this holds true as well for popular entertainers who more often than not seem to be groomed early age to become rich and famous. The transmission of trade-secrets and knowledge would therefor give Elite families offspring an unfair advantage compared to the regular stock – and additionally the financial ease and social network would make it close to impossible for anyone normal to gain foothold in such industries as music.

There might be exceptions – but the elite have an unfair advantage that is best kept by secrecy and empty promises to the masses such as anyone can become president. Well, they can’t and they won’t. I’d say the same applies to music – especially as the Elite seems to have hormones even moreso on their side in this domain than in politics. How many cisgenders can objectively compete for attention in company of castrati voice profiles trained from a young age ?

One of the most mythical voices of jazz and popular music was surely Eunice Kathleen Waymon aka Nina Simone – the High Priestess of Soul. Her voice is described being ‘androgynous’ with an unusual cracking low range with magnificent intensity. Simone is regarded as one of the most influential recording artists of the 20th century and the 29th greatest singer of all time according to Rolling Stone magazine.

Nina Simone (1933-2003) had a long and successful career and despite her popularity were at it’s peak in the 1960s, there is still a good record of her performances and recordings available in video and audio form.

Today most artists will be discovered through audiovisual media, but that was not necessarily the case before – so many will have heard Nina Simone more often than they have seen her. No doubt that Simone does make an impression when you hear her sing – whether it be pleasure or frustration. However, when you go back and watch her as she performs – your impression might change in light of her predominantly masculine appearence, especially with EGI in mind.

nina simone 1960
Nina Simone in concert (ca. 1960)

All the more i look back at the music i’ve enjoyed in earlier years – it is quite scary how unrepresentative these individuals really are to me today. I can still enjoy the music in parts of course – but i’m very compelled to ask myself if i could not have bonded with whatever type of music presented in my youth and that guided me when music was an important distraction from my parents and forced schooling, even identified me socially among youth and dictated my dress code.

nina simone 1999 England
Nina Simone in concert UK 1999

Regarding Simone, what speaks the most is actually the various videos hereunder – nevertheless it might be worth noting from the photos that Nina Simone has a typically male sloping forehead and very wide dental arch, and these features alone makes it improbable she ever was born female nor could have any children. Analysing her features it becomes clear she’s had a severe jaw contouring which gives her a very awkward profile which serves to counter-balance her distinguished male forehead.

By studying this case through the multiple videos and visuals it is disheartening, almost sad, to see Simone change over time by the effects of hormone therapy and witness the efforts made by the artist to act as a natural woman despite her evidently masculine nature.

Andres Burbano – 7:04 (mm:ss)
Nina Simone – Sinner Man


EGI Forum entry found here

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Restless Male Creature


Wendy Whelan in her final 33rd year at the NYCB (1981-2014)

Ballet is undeniably upper class since its inception as a Royal art in the 1600s. Todays ballet has incorporated many modern variations – most notably in the United States by George Balanchine who developed neoclassical ballet. Wendy Whelan was supposedly “created” for Balanchine ballet as she lead the New York City Ballet for more than three decades dancing a repertoire of more than 50 ballets.

Wendy began her dance training with Virginia Wooton (VW) at the tender age of 3 in Louisville and later joined the official school of New York City Ballet (SAB) at the age of 14. A spine injury (scoliosis) made the young ‘lady’ obliged to wear a heavy plaster cast for quite a while – most possibly an astute explanation for advanced manipulation of her actual male type back and pelvis in order to comply with her future role as the principal female (!) dancer at the NYCB.

After 33 years with the New York City Ballet, Wendy Whelan left in the stage in 2014 all while she had already begun a new nationally adventure in 2012 called “Restless Creature” where Wendy Whelan dance duets with the choreographers of each part of her ballet performance. The homonymous “Restless Creature” documentary film seem to be the foundation Whelan’s legend will be built from as a role-model female who vanquished her serious physical deformity and earned her way to the top through hard work.

There are 33 known degrees in freemasonry that is supposed to lead to the title of Master Mason or MM and rotated 90° clockwise the MM’s becomes 33. The same is the case with Wendy Whelans acronym when rotated counter-clockwise. WW equals 33 which indicates how Wendy Wheelman’s name (WW) is no accident and strongly suggest her role as the lead dancer in american ballet was wilfully orchestrated and that her inversion from male to female began as early as 3.


Wendy Whelan on stage (ca. 2011)
•male length arms and proportion, discernible adonis belt despite clever costume, important trachea, male size ribcage & no space for pregnancy, sloping forehead and male hairline, masculine facial profile with important nose and general wide features


Wendy Whelan dance study series by Howard Schatz (ca.2000)
•legs of steel – male type calves and long thigh muscles with compact masculine gluteus muscles (butt region)


Wendy Whelan and Craig Hall in ‘After The Rain’ 2012
•typical muscular male legs and important knee-caps and calves, worrisome pelvis-bulge, sizeable ribcage, long neck and male face profile with square jawline, chin and nose


Wendy Whelan and Craig Hall – close-up
•obligatory closer look at the worrisome pelvis-bulge – this is (in french) male genitalia with tucked testicles


Wendy Whelan published frequently all through her mysterious hip injury in 2014
•Whelan’s hospital tweet show her female digit ratio with a measurable longer index-finger than ring finger – reassuring one would be led to believe


Wendy Whelan from Boston Globe coverage 2013
•In this face-shot is discernible how Wendy Whelan has a clearly shorter index finger than the hospital close-up would suggest. In other words, WW finds it useful to doctor imagery of her hand to imitate female digit-ratio


Wendy Whelan photographed by husband by David Michalek for Vanity Fair magazine 2014
•male body proportions with big head, big hands, square shoulders, long humerus bone and male legs with big feet


Wendy Whelan – unanimous acclaim after ‘Restless Creature’ performance
•square shoulders and straight up & down body frame, huge male size ribcage & no space for pregnancy, male chin bones, deep eyes, male nose

*original article here

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Drag on TV


Emilia Isabelle Euphemia Rose Clarke, born 1986 in London

Hollywood is undoubtably very Elitist with actors more often than not part of the EGI in-group. The most popular and mediated productions would be where we expect to see the highest percentage of Elite Gender Inversion. With approximately 160.000 screen and media actors* in the USA, it nevertheless seems improbable that everyone is part of the Elite Gender Inverted family.

Even among the most popular actors it therefore would seem logic that there is a mix of cisgender and EGI individuals – even though anyone cisgender in high society would necessarily be aware of the prominent EGI presence.

When looking for the rare cisgender celebrities in Hollywood, we soon encounter difficulties and it becomes frustrating to not find many convincing cases. This would certainly also be by design, but still, the task seems feasible and rather mundane – until you start really looking… And when looking closely, there are not many A List actresses that can be considered convincing candidates.

One of the A List actresses that is very popular and appear quite feminine is Emilia Clarke, best know as the ‘Dragon Queen’ Daenerys in the immensely popular TV show Game of Thrones (GOT). Clarke is quite convincing in her role as a cisgender female – she’s short (1m57) and curvaceous, her arms and legs are not overly long, her hip to shoulder ratio is in order and her skin appealingly smooth, soft and pale. In short, Emilia Clarke really makes a convincing case as a natural born female and the case for a mix of real women and Male to Female (MTF) actresses in Hollywood.

However, it seems this initial assessment of Emilia Clarke might be to reconsider and that the search for a convincing A List actress in Hollywood still remains unsatisfactory. In a follow-up video on GOT actors, MrE does a convincing job of casting more than reasonable doubt on Daenarys Targaryen’s constitution – and his points are mostly well made with images of a young Emilia Clarke that clearly point to hip-enhancements in addition to imagery display the masculine features of her head size, skull and eye-sockets. In addition we must expect Hollywood to have equally enhanced other features artificially as they are accustomed to do.

In the quest for cisgender A list actresses in Hollywood, i’m sad to say “Our watch has yet not ended” and the Game of Thrones tv series looks like the wrong place to expect finding anyone cisgender. Maybe the whole GOT series is in reality a Game of Genomes where straight natural men and women just are too stale and predictable to make the fantasy fiction magically work.

MrE – 16:10 (mm:ss) – First 6m30s on Emilia Clarke
Game of Thrones – The Night is Dark and Full of Trannies


*numbers from SAG-AFTRA (Screen Actors Guild and the American Federation of Television and Radio Artists)

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Female Fiction

Women Who Kill poster
Women Who Kill is a 2016 criminal satire directed by Ingrid Jungermann, where gay ‘true crime’ podcasters Morgan & Jean come to suspect Morgan’s new lesbian love interest to be a killer.

Ingrid Jungermann is a contemporary lesbian film-maker and represent a clearcut case where Elite Gender Inversion is as apparent as the LGBTQ propaganda she creates. This film came to my attention simply as the title contains a gender specific slogan, albeit not apparently gay in any way before familiarising with the content and storyline. We are supposed to expect women be as often lesbian as they are straight, but it might be dangerous to buy into such false premises to eagerly.

The film poster really had me pondering whether the front-figure actually would be presented as a woman or not to the public – and that turns out to be the case – it is actually the lesbian film director herself that is seen posing in the foreground on the movies blue feature image. Sometimes images convey more information than words, and this film is yet another moment where EGI invites itself deceptively into everyday media, and where only knowledge of EGI actually can help correctly analyse and understand what is really presented to the public.

Ingrid Jungermann
Ingrid Jungermann at Tribeca Film Festival 2016 (born in Florida 1977)
•Male bodytype, male headsize, significant trachea, long arms, male hands & digit ratio, wide chin, prominent jawline, wide set eyes and male nose (typical male length and tip-angle)

Jungermann does walk her talk apparently, and her love life is often at the crux of her ‘message’ as she defends female right to their gender specific expression and sexuality. Hmmm. Ingrid Jungermann”s partner actually look more like a younger man in the person of Desiree Akhavan – her co-star from The Slope, a web-tv-series about ‘superficial, homophobic lesbians‘.

Desiree Akhavan
Desiree Akhavan in Silverlake 2014 (born in New York City 1984)
•male size head, square shoulders, prominent brows, male hairline, male nose and mouth – seemingly a man with makeup 

*Original text here

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Married to Men

There are many famous couples where something seems off with the bride – male celebrities often seem drawn towards men impersonating as women – not natural cis-gender females.

Whenever someone puts on disguise, they will be hard to identify and even harder to spot if you are unaware there is a show going on. And the show is indeed on, the question is if you actually want to understand what show it is ?

The Beatles is a great exemple of popular propaganda where stars are created out of thin air and an entire generations mindset changed. That is the myth as it appears today and is propagated in various ways be it through conspiracy theories on John Lennon’s death, Paul McCartneys replacement or another greatest hits album.

An underlying storyline is nevertheless present, and new YT transvestigator Vicky S. does a good job of showing how very obvious the Beatles members wives and ‘girlfriends’ all look as they could be men originally. What are the chances that all Beatles members have transgendered partners ?

Linda McCartney: Winged Tranny (07:21 mm:ss)


George and Ringo’s Trannies (06:10 mm:ss)


Yoko Ono: John’s Trannies (06:25 mm:ss)

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