The Godmother


Al Capone with his head enlarging mobster hat and the habitual cigar (around 1930)

No doubt that contemporary urban violence and horror are in large parts influenced by the image left from the numerous gangsters that roamed the city streets since early last century. The big kingpin of urban violence is of course the supreme mobster Don – the Godfather.

No don has done more for the mobster image than the original “Scarface”, Alphonse Gabriel Capone (1899-1947). Al Capone reigned supreme in Chicago from January 1925 when mafia chief Torrio handed over the reigns to Capone. After much violence and ins and outs with justice, Capone left a bloody trail of 33 bodies behind when he was ultimately sent away to Atlanta US Penitentiary in May 1932 to serve an 11-year sentence for tax evasion…

Capone was predictably aged 33 at the end of his 7 year reign over Chicago and weighed in heavy at 110kg upon incarceration. Responsible for multiple brothels, the big Don was not only overweight at this point, but also afflicted with several sexual deceases such as syphilis and gonorrhoea. He might have been considered a fuckalot by the standards of the interwar period.

Maybe Capone was at his outmost best when portrayed in the Godfather series of films (1972-90), most notably incarnated by Marlon Brando. Robert de Niro who also portrayed Al Capone as a youngster came across as way too thin compared to the beefy Capone. Brando with his chubby figure was a better fit as he equally shared some of Capone’s soft looks.

Al Capone is portrayed as scary from his facial scars (hence Scarface) and count of victims and even was elected public enemy n° 1 (Chicago 1930) – but Don Capone looked all but masculine when analysed anatomically with his short arms, small hands, close facial features, short mouth, full red lips, prominent eyelashes and shallow eyes. The Don seems a Donna and Al Capone part of the EGI as a female to male trickster.

I’m like any other man. I’ve been in this racket long enough to realize that a man in my game must take the breaks, the fortunes of war. I haven’t had any peace of mind in years. Every minute I’m in danger of death.”
-Alphonse Gabriel Capone

Not much seems to have changed since the time of the artificially created prohibition. The violence of todays terrorism seems as artificial as the glorified mobsters of the day, and the numerous films and lifetime actors likewise. If the Godfather is in reality a harmless, armless Donna, was any of the mobster violence even ever real ?


Al Capone during trial 1929 – looking as confident as always
•Typical female round head-shape with complete lack of neck and Adams apple, no jawline, no cheekbones, little brow structure an pulpous (red) lips 


Al Capone during another trial 1931
•Small shallow eyes, no neck, fleshy female cheeks and no cheekbone and typically female pulpous (red) lips – smiling helps FTM impersonation as it widens the mouth that is otherwise clearly short with full lips


Al Capone ca. 1930
•Despite the hat, suit and tie – Capone displays typically female body features with small ribcage, little to no neck, short arms, small hands and overall feminine chubbiness.


Al Capone ca. 1930
•Again typically female body features with very narrow shoulders despite clothes, small chest area  little to no neck, very short arms and discernible important hips.


Al Capone in Miami – mid or late 1920s
•By judging Capone from the belly, arms and kid alone – anyone would expect this individual to be a pregnant woman (speculation here) – he/she has very short motherly  arms indeed… 

Be the 1st to vote.

Chap (man)


Tracy Chapman born in Cleveland Ohio 1964

Some individuals in the entertainment industry are clearly scripted to test our critical faculties and in the case of Tracy Chapman it safe to say we are well served.

When i discovered Chapman as young, i did already pause and ask myself if this individual really could be a woman as she was represented to be. Everything seemed wrong – her voice, her face, her body… Not to mention Chapman lately came out as a lesbian and longtime partner of Alice Walker (author of The Color Purple). Even her name went by unnoticed at the time, but looking back.. Chapman.. Really ?

The purpose for making some EGI cases obvious and somewhat blatant as with Chapman can be of psychological nature. As a matter of fact, when we accept this type of couvert psychological abuse it constitutes a subtle but efficient attack on our critical mind, and we might in fact modify our behaviour as we subconsciously thus bond to our aggressors (traumatic bonding). With Chapman we are flagrantly abused by the music industry and the mainstream press – music to the ears of some.

Many openminded alternative researchers apparently have their eyes wide shut, but the abuse to which we are all subjected is consequential and to repair the damage might take longer than what we might anticipate. It is an easy excuse to find plausible denial in the many difficult cases as transvestigators try to catch up to the latest and sometimes unlikely candidates for Elite Gender Inversion.

EGI resistant researchers really do not need more than one affirmative case in order to forcibly reevaluate their position and attitude. If there are indeed Elite members who impersonate the opposite gender consciously, wilfully and knowingly to our incredulity and detriment – it is only the abusive bonding to the system we live under that prevent ‘critical minds’ to see what is so screamingly obvious in many celebrities and especially in this case – it is a Chap, man !

Atlantic Records – 04:24 (mm:ss)
Tracy Chapman – Bang Bang Bang

likes this

Drag on TV


Emilia Isabelle Euphemia Rose Clarke, born 1986 in London

Hollywood is undoubtably very Elitist with actors more often than not part of the EGI in-group. The most popular and mediated productions would be where we expect to see the highest percentage of Elite Gender Inversion. With approximately 160.000 screen and media actors* in the USA, it nevertheless seems improbable that everyone is part of the Elite Gender Inverted family.

Even among the most popular actors it therefore would seem logic that there is a mix of cisgender and EGI individuals – even though anyone cisgender in high society would necessarily be aware of the prominent EGI presence.

When looking for the rare cisgender celebrities in Hollywood, we soon encounter difficulties and it becomes frustrating to not find many convincing cases. This would certainly also be by design, but still, the task seems feasible and rather mundane – until you start really looking… And when looking closely, there are not many A List actresses that can be considered convincing candidates.

One of the A List actresses that is very popular and appear quite feminine is Emilia Clarke, best know as the ‘Dragon Queen’ Daenerys in the immensely popular TV show Game of Thrones (GOT). Clarke is quite convincing in her role as a cisgender female – she’s short (1m57) and curvaceous, her arms and legs are not overly long, her hip to shoulder ratio is in order and her skin appealingly smooth, soft and pale. In short, Emilia Clarke really makes a convincing case as a natural born female and the case for a mix of real women and Male to Female (MTF) actresses in Hollywood.

However, it seems this initial assessment of Emilia Clarke might be to reconsider and that the search for a convincing A List actress in Hollywood still remains unsatisfactory. In a follow-up video on GOT actors, MrE does a convincing job of casting more than reasonable doubt on Daenarys Targaryen’s constitution – and his points are mostly well made with images of a young Emilia Clarke that clearly point to hip-enhancements in addition to imagery display the masculine features of her head size, skull and eye-sockets. In addition we must expect Hollywood to have equally enhanced other features artificially as they are accustomed to do.

In the quest for cisgender A list actresses in Hollywood, i’m sad to say “Our watch has yet not ended” and the Game of Thrones tv series looks like the wrong place to expect finding anyone cisgender. Maybe the whole GOT series is in reality a Game of Genomes where straight natural men and women just are too stale and predictable to make the fantasy fiction magically work.

MrE – 16:10 (mm:ss) – First 6m30s on Emilia Clarke
Game of Thrones – The Night is Dark and Full of Trannies


*numbers from SAG-AFTRA (Screen Actors Guild and the American Federation of Television and Radio Artists)

Caryslike this

Female Fiction

Women Who Kill poster
Women Who Kill is a 2016 criminal satire directed by Ingrid Jungermann, where gay ‘true crime’ podcasters Morgan & Jean come to suspect Morgan’s new lesbian love interest to be a killer.

Ingrid Jungermann is a contemporary lesbian film-maker and represent a clearcut case where Elite Gender Inversion is as apparent as the LGBTQ propaganda she creates. This film came to my attention simply as the title contains a gender specific slogan, albeit not apparently gay in any way before familiarising with the content and storyline. We are supposed to expect women be as often lesbian as they are straight, but it might be dangerous to buy into such false premises to eagerly.

The film poster really had me pondering whether the front-figure actually would be presented as a woman or not to the public – and that turns out to be the case – it is actually the lesbian film director herself that is seen posing in the foreground on the movies blue feature image. Sometimes images convey more information than words, and this film is yet another moment where EGI invites itself deceptively into everyday media, and where only knowledge of EGI actually can help correctly analyse and understand what is really presented to the public.

Ingrid Jungermann
Ingrid Jungermann at Tribeca Film Festival 2016 (born in Florida 1977)
•Male bodytype, male headsize, significant trachea, long arms, male hands & digit ratio, wide chin, prominent jawline, wide set eyes and male nose (typical male length and tip-angle)

Jungermann does walk her talk apparently, and her love life is often at the crux of her ‘message’ as she defends female right to their gender specific expression and sexuality. Hmmm. Ingrid Jungermann”s partner actually look more like a younger man in the person of Desiree Akhavan – her co-star from The Slope, a web-tv-series about ‘superficial, homophobic lesbians‘.

Desiree Akhavan
Desiree Akhavan in Silverlake 2014 (born in New York City 1984)
•male size head, square shoulders, prominent brows, male hairline, male nose and mouth – seemingly a man with makeup 

*Original text here

likes this

Married to Men

There are many famous couples where something seems off with the bride – male celebrities often seem drawn towards men impersonating as women – not natural cis-gender females.

Whenever someone puts on disguise, they will be hard to identify and even harder to spot if you are unaware there is a show going on. And the show is indeed on, the question is if you actually want to understand what show it is ?

The Beatles is a great exemple of popular propaganda where stars are created out of thin air and an entire generations mindset changed. That is the myth as it appears today and is propagated in various ways be it through conspiracy theories on John Lennon’s death, Paul McCartneys replacement or another greatest hits album.

An underlying storyline is nevertheless present, and new YT transvestigator Vicky S. does a good job of showing how very obvious the Beatles members wives and ‘girlfriends’ all look as they could be men originally. What are the chances that all Beatles members have transgendered partners ?

Linda McCartney: Winged Tranny (07:21 mm:ss)


George and Ringo’s Trannies (06:10 mm:ss)


Yoko Ono: John’s Trannies (06:25 mm:ss)

Be the 1st to vote.

Made Up Women

Make-up is a powerful tool to make an EGI individual appear more gender-typical and one of the oldest tricks in the continuous efforts to produce EGI disguise. The use of Make-up well emphasise how the Elite use very subversive techniques for adapting common customs to fit their own agenda and the EGI individuals.

Lips are enlarged for cis-gender women by its commonly recommended use which encourages accentuation of the mouth. Such practice might allow MTF individuals to take the opposite route and make their mouths appear less prominent and/or large. The naturally more red lips of women (thinner lipskin & more blood vessels) are thus also concealed and deceptively transfigured.

Cheeks can be transformed with blush and make cis-women appear to have higher, more prominent cheekbones – like men. Inversely, an EGI male-to-female person can use blush to diminish the impression of male cheekbones and soften the harder lines of most men. Heavy eyeshadow will make female shallow eyes appear deeper and give the illusion of more shadow – the deep set back eyes of males are thus less distinguishable and might even be counterbalanced. Various highlights can make prominent bones (eyes, cheek) become less prominent and mislead attention… Makeup seems to be made up, and it clearly serves the EGI well.

ice water roof – 07:50 mm:ss
The Make up Agenda

Be the 1st to vote.

Weird Beard


Jack Passion – 2 times World Beard Champion (2007, 2009)

Although both men and women have equal amounts of hair potential through their hair receptors or follicles, it is the male hormones that turn fine colourless hair into thicker, longer and more pigmented hair types. Hair follicles have a growth cycle of around seven years and a follicle must go through its whole growth cycle to regenerate as one hair type or another, Vellus hair or Terminal hair. It is the level of male hormones that determine the number of terminal follicles that produce facial, pubic and scalp hair which make beards unique to men due to their androgen hormone production and thus qualify male facial hair as a secondary sexual characteristics.

Historically beards always played a part in human culture. At the origin, facial hair would have a practical aspect as it protects the face from wind, sun, rain and cold weather. Beards probably also served as an intimidating factor during conflict, presenting a fiercer aspect to the enemy. As more advanced civilisations emerged there was no longer the same need for facial hair, and beards and moustaches at that point played merely a socio-cultural role and was in many cases reserved to the upper classes and nobility. At various points there have even been taxation for beards making it difficult to wear for men of modest fortune, and pulling someone’s beard in the middle ages required settlement in duel..


Jack Passion in Vitabeard beard vitamin promotion
•Typical female headshape, short humerus bone (upper arms), thin sandcolored hair, sparse blond bodyhair, weak eyebrows, narrow sloping shoulders, close facial features – close set eyes, short nose, short mouth – and big fluffy fake red beard.

The first american Beard World Champion was Jack Passion who surprised the world of facial hair during the 2007 World Championship in Brighton by winning 1st Place for Full Beard Natural in his debut competition. Sporting a long thick beard he astutely named ‘Big Red’, Jack has committed complete devotion to his beard thus making him a natural winner at only 23 years old and the first ever ‘Professional Beardsman’ with his 2011 TV series “Whisker Wars” and his milestone book ‘The Facial Hair Handbook’ selling well.

It might be debated whether John Giles really is the first professional beardsman in history, but his commercial success and public image sure has been well orchestrated and professionally managed. The first professional beard-impersonators might in reality have been Ancient Egypt nobility who equally favoured red beards which might be why (lumber) Jack Passion really chose an unnatural red coloured beard despite his own thin and effeminate blond hair.

Jack Passion’s facial hair constitute but a part of his scripted persona as the first American Full Natural Beard World Champion. When we consider that everything Jack do, wear and say is carefully staged and put together in order to create the illusion of a hairy Lumberjack Joe, it becomes clear it’s not really about his ‘Big Red’ beard. The beard is merely what sells him as a female to male EGI role model for men  – and his beard just part of the theatrics behind the retarded lumberjack hairy fashion the Elite has instigated as a useful tool to capture the attention and dictate the behaviour of young men. The beard is simply the tool of the trade, and as fake as Santa Claus, Jesus Christ and Egyptian Pharaohs all-together.

zbainter – 07:06
Passion (2011) – Short film



Jack Passion at the premiere of Mansome (2012)
•Typical female headshape, short arms, thin sandcolored hair, very weak eyebrows, no brow-bone, narrow shoulders, female hips, small hands & close facial features – close set eyes, short nose, short mouth – and ‘Big Red’ false beard.

Original text here & EGI forum post there

Be the 1st to vote.