Restless Male Creature


Wendy Whelan in her final 33rd year at the NYCB (1981-2014)

Ballet is undeniably upper class since its inception as a Royal art in the 1600s. Todays ballet has incorporated many modern variations – most notably in the United States by George Balanchine who developed neoclassical ballet. Wendy Whelan was supposedly “created” for Balanchine ballet as she lead the New York City Ballet for more than three decades dancing a repertoire of more than 50 ballets.

Wendy began her dance training with Virginia Wooton (VW) at the tender age of 3 in Louisville and later joined the official school of New York City Ballet (SAB) at the age of 14. A spine injury (scoliosis) made the young ‘lady’ obliged to wear a heavy plaster cast for quite a while – most possibly an astute explanation for advanced manipulation of her actual male type back and pelvis in order to comply with her future role as the principal female (!) dancer at the NYCB.

After 33 years with the New York City Ballet, Wendy Whelan left in the stage in 2014 all while she had already begun a new nationally adventure in 2012 called “Restless Creature” where Wendy Whelan dance duets with the choreographers of each part of her ballet performance. The homonymous “Restless Creature” documentary film seem to be the foundation Whelan’s legend will be built from as a role-model female who vanquished her serious physical deformity and earned her way to the top through hard work.

There are 33 known degrees in freemasonry that is supposed to lead to the title of Master Mason or MM and rotated 90° clockwise the MM’s becomes 33. The same is the case with Wendy Whelans acronym when rotated counter-clockwise. WW equals 33 which indicates how Wendy Wheelman’s name (WW) is no accident and strongly suggest her role as the lead dancer in american ballet was wilfully orchestrated and that her inversion from male to female began as early as 3.


Wendy Whelan on stage (ca. 2011)
•male length arms and proportion, discernible adonis belt despite clever costume, important trachea, male size ribcage & no space for pregnancy, sloping forehead and male hairline, masculine facial profile with important nose and general wide features


Wendy Whelan dance study series by Howard Schatz (ca.2000)
•legs of steel – male type calves and long thigh muscles with compact masculine gluteus muscles (butt region)


Wendy Whelan and Craig Hall in ‘After The Rain’ 2012
•typical muscular male legs and important knee-caps and calves, worrisome pelvis-bulge, sizeable ribcage, long neck and male face profile with square jawline, chin and nose


Wendy Whelan and Craig Hall – close-up
•obligatory closer look at the worrisome pelvis-bulge – this is (in french) male genitalia with tucked testicles


Wendy Whelan published frequently all through her mysterious hip injury in 2014
•Whelan’s hospital tweet show her female digit ratio with a measurable longer index-finger than ring finger – reassuring one would be led to believe


Wendy Whelan from Boston Globe coverage 2013
•In this face-shot is discernible how Wendy Whelan has a clearly shorter index finger than the hospital close-up would suggest. In other words, WW finds it useful to doctor imagery of her hand to imitate female digit-ratio


Wendy Whelan photographed by husband by David Michalek for Vanity Fair magazine 2014
•male body proportions with big head, big hands, square shoulders, long humerus bone and male legs with big feet


Wendy Whelan – unanimous acclaim after ‘Restless Creature’ performance
•square shoulders and straight up & down body frame, huge male size ribcage & no space for pregnancy, male chin bones, deep eyes, male nose

*original article here

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No Rolling Stones ?


Farinelli ( 1705-1782 ) possibly the greatest singer in the history of opera

Many historical “facts” are so well integrated that we seldom question their origin or credibility. EGI has never been part of the official history but some gender related topics are still much talked about in movies, books, and music – a good example would be the Castrato.

Castrato singers are often mentioned whenever incredible vocal feats are encountered. By way of castration, young boys are kept from reaching sexual maturity and thus allowing the vocal cords to remain under-developed by the lack of male growth hormone (testosterone is produced by a man’s testies). Normally it is suggested that the voice of such individuals can be of incomparable beauty as these singers maintain their prepubescent male voice into adulthood and throughout their career.

The sexual mutilation of Castrati singers can be defined as very cruel and has generated horror and anguish in the minds of many men. The acts these children undergo are as despicable as the motivation behind them unethical. In order to create magnificent voices, the Church and Elite seem to willfully damage childrens health, wellbeing and sexuality for their own pleasure. The story is horrific and has understandably generated considerable public interest. Even today we reference and maybe even secretly admire these fragile victims with angle voices. Very sad, heartbreaking and,,, a lie?


Alessandro Moreschi ( 1858-1922 ) the “last” castrato and the only to be on record – “The Last Castrato Complete Vatican Recordings

When we look a bit closer at the individuals we are presented, it soon becomes clear they often have EGI typical signs of inverted gender characteristics. As we might suspect, the Elite mostly hold on to their private parts despite their gender-inversion and it becomes curious how they would maim members of their own class in order to obtain the same type of voice we know hormone treatment can produce today.

It is standard procedure for the Elite to continually produce propaganda on their various interventions in popular culture, and the Castrato singer is regularly mediated even today. Would the Elite really cut off genitalia on their own kind or is it more likely that they might have preferred propaganda using FTM individuals and thus have the common man believe and support such vile ideas as castrated ‘boyish’ singers ? A parallel to such genital mutilation could be seen in contemporary promotion of sex reassignment surgeries and masectomies where the public is encouraged cutting off or invert their sex-organs whereas the Elite seem to prefer keeping all their original genital attributes – and even adding to them…


Gaspare Pacchierotti ( 1740-1821 ) famous mezzo-soprano castrato

•The gruesome price of being a 19th century Castrati
www.dailymail.co.uk
•Occupational markers and pathology of the castrato singer Gaspare Pacchierotti
www.nature.com

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Mockery on ET Canada

hristos mandylor – Trans Gender confusion Reigns! – 02:31 mm:ss

No accident Colin Mochrie is a funny comedian… Mochrie is a name that closely resembles “mockery” as well as the french term “moquerie” (much used in french). Colin Mochrie and his wife Deb seem to be an Elite Gender Inverted couple. Normally they would  sexually invert their own offspring from birth if family traditions were respected.


Debra McGrath as young

However, Luke who turned into Kinley in the adult age of 26 is indeed a puzzle. Is he a natural born boy turned girl or is the truth even more intricate – a double inverted individual ? Difficult to tell as his brow-ridge say masculine and his Adams apple say FTM (while still Luke).


Colin, Deb and (lucky) Luke Mochrie – are we taken for a gender spin ?

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Have a Cigar

I smoke in moderation. Only one cigar at a time.
– Mark Twain

People who deceive others often cannot hide their delight as they find a secret pleasure in fooling others. It gives them a feeling of superiority. They have one up on us, and they rejoice in “duper’s delight” as they consider their audience foolish and stupid.

There might be many levels of force regarding the pleasure sociopaths experience when successfully deceiving the public. Mostly, the thrill would be a combined result from the magnitude of the lie combined with the level of credulity in the public for being so easily tricked.

The level of duper’s delight could be at a maximum when the Elite accomplish to pass for the opposite sex and even being rewarded by prices, titles and public acclaim for their duplicitous acting. From numerous exemples seen in Hollywood, many stars can be considered to perform gender inversion – and they must obviously have quite a lot in common in their club of initiates. They will probably all share common duping delight humor and anecdotes, even show it off in the press. After all, success it best experienced when sharing your feats with pairs and fellow connoisseurs.

When we look at all the symbols that are used in the media and entertainment industries we realise that things are not always what they are presented to be. One such example is the the cigar, a typical symbol of of the male phallus. Of course, many just see the literal meaning of tabacco love when men suck on their Cuban cigars repeatdly in movies and press material. If we consider many stars in reality also are gender-inverted lifetime actors it might be a case of definite duping delight to figuratively put their joke before our eyes. If an inverted individual do practice “traditional” sex – a cigar would well represent his/her true desires.

Smoking is indispensable if one has nothing to kiss.
-Sigmund Freud


Smoking Cigars is like falling in love. First, you are attracted by its shape; you stay for its flavor, and you must always remember never, never to let the flame go out!
– Winston Churchill


A smoke in times of rest is a great companion to the solitary soldier.
–Ernesto “Che” Guevara


You should hurry up and acquire the cigar habit. It’s one of the major happinesses. And so much more lasting than love, so much less costly in emotional wear and tear.
–Aldous Huxley

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