Restless Male Creature


Wendy Whelan in her final 33rd year at the NYCB (1981-2014)

Ballet is undeniably upper class since its inception as a Royal art in the 1600s. Todays ballet has incorporated many modern variations – most notably in the United States by George Balanchine who developed neoclassical ballet. Wendy Whelan was supposedly “created” for Balanchine ballet as she lead the New York City Ballet for more than three decades dancing a repertoire of more than 50 ballets.

Wendy began her dance training with Virginia Wooton (VW) at the tender age of 3 in Louisville and later joined the official school of New York City Ballet (SAB) at the age of 14. A spine injury (scoliosis) made the young ‘lady’ obliged to wear a heavy plaster cast for quite a while – most possibly an astute explanation for advanced manipulation of her actual male type back and pelvis in order to comply with her future role as the principal female (!) dancer at the NYCB.

After 33 years with the New York City Ballet, Wendy Whelan left in the stage in 2014 all while she had already begun a new nationally adventure in 2012 called “Restless Creature” where Wendy Whelan dance duets with the choreographers of each part of her ballet performance. The homonymous “Restless Creature” documentary film seem to be the foundation Whelan’s legend will be built from as a role-model female who vanquished her serious physical deformity and earned her way to the top through hard work.

There are 33 known degrees in freemasonry that is supposed to lead to the title of Master Mason or MM and rotated 90° clockwise the MM’s becomes 33. The same is the case with Wendy Whelans acronym when rotated counter-clockwise. WW equals 33 which indicates how Wendy Wheelman’s name (WW) is no accident and strongly suggest her role as the lead dancer in american ballet was wilfully orchestrated and that her inversion from male to female began as early as 3.


Wendy Whelan on stage (ca. 2011)
•male length arms and proportion, discernible adonis belt despite clever costume, important trachea, male size ribcage & no space for pregnancy, sloping forehead and male hairline, masculine facial profile with important nose and general wide features


Wendy Whelan dance study series by Howard Schatz (ca.2000)
•legs of steel – male type calves and long thigh muscles with compact masculine gluteus muscles (butt region)


Wendy Whelan and Craig Hall in ‘After The Rain’ 2012
•typical muscular male legs and important knee-caps and calves, worrisome pelvis-bulge, sizeable ribcage, long neck and male face profile with square jawline, chin and nose


Wendy Whelan and Craig Hall – close-up
•obligatory closer look at the worrisome pelvis-bulge – this is (in french) male genitalia with tucked testicles


Wendy Whelan published frequently all through her mysterious hip injury in 2014
•Whelan’s hospital tweet show her female digit ratio with a measurable longer index-finger than ring finger – reassuring one would be led to believe


Wendy Whelan from Boston Globe coverage 2013
•In this face-shot is discernible how Wendy Whelan has a clearly shorter index finger than the hospital close-up would suggest. In other words, WW finds it useful to doctor imagery of her hand to imitate female digit-ratio


Wendy Whelan photographed by husband by David Michalek for Vanity Fair magazine 2014
•male body proportions with big head, big hands, square shoulders, long humerus bone and male legs with big feet


Wendy Whelan – unanimous acclaim after ‘Restless Creature’ performance
•square shoulders and straight up & down body frame, huge male size ribcage & no space for pregnancy, male chin bones, deep eyes, male nose

*original article here

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Chap (man)


Tracy Chapman born in Cleveland Ohio 1964

Some individuals in the entertainment industry are clearly scripted to test our critical faculties and in the case of Tracy Chapman it safe to say we are well served.

When i discovered Chapman as young, i did already pause and ask myself if this individual really could be a woman as she was represented to be. Everything seemed wrong – her voice, her face, her body… Not to mention Chapman lately came out as a lesbian and longtime partner of Alice Walker (author of The Color Purple). Even her name went by unnoticed at the time, but looking back.. Chapman.. Really ?

The purpose for making some EGI cases obvious and somewhat blatant as with Chapman can be of psychological nature. As a matter of fact, when we accept this type of couvert psychological abuse it constitutes a subtle but efficient attack on our critical mind, and we might in fact modify our behaviour as we subconsciously thus bond to our aggressors (traumatic bonding). With Chapman we are flagrantly abused by the music industry and the mainstream press – music to the ears of some.

Many openminded alternative researchers apparently have their eyes wide shut, but the abuse to which we are all subjected is consequential and to repair the damage might take longer than what we might anticipate. It is an easy excuse to find plausible denial in the many difficult cases as transvestigators try to catch up to the latest and sometimes unlikely candidates for Elite Gender Inversion.

EGI resistant researchers really do not need more than one affirmative case in order to forcibly reevaluate their position and attitude. If there are indeed Elite members who impersonate the opposite gender consciously, wilfully and knowingly to our incredulity and detriment – it is only the abusive bonding to the system we live under that prevent ‘critical minds’ to see what is so screamingly obvious in many celebrities and especially in this case – it is a Chap, man !

Atlantic Records – 04:24 (mm:ss)
Tracy Chapman – Bang Bang Bang

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Drag on TV


Emilia Isabelle Euphemia Rose Clarke, born 1986 in London

Hollywood is undoubtably very Elitist with actors more often than not part of the EGI in-group. The most popular and mediated productions would be where we expect to see the highest percentage of Elite Gender Inversion. With approximately 160.000 screen and media actors* in the USA, it nevertheless seems improbable that everyone is part of the Elite Gender Inverted family.

Even among the most popular actors it therefore would seem logic that there is a mix of cisgender and EGI individuals – even though anyone cisgender in high society would necessarily be aware of the prominent EGI presence.

When looking for the rare cisgender celebrities in Hollywood, we soon encounter difficulties and it becomes frustrating to not find many convincing cases. This would certainly also be by design, but still, the task seems feasible and rather mundane – until you start really looking… And when looking closely, there are not many A List actresses that can be considered convincing candidates.

One of the A List actresses that is very popular and appear quite feminine is Emilia Clarke, best know as the ‘Dragon Queen’ Daenerys in the immensely popular TV show Game of Thrones (GOT). Clarke is quite convincing in her role as a cisgender female – she’s short (1m57) and curvaceous, her arms and legs are not overly long, her hip to shoulder ratio is in order and her skin appealingly smooth, soft and pale. In short, Emilia Clarke really makes a convincing case as a natural born female and the case for a mix of real women and Male to Female (MTF) actresses in Hollywood.

However, it seems this initial assessment of Emilia Clarke might be to reconsider and that the search for a convincing A List actress in Hollywood still remains unsatisfactory. In a follow-up video on GOT actors, MrE does a convincing job of casting more than reasonable doubt on Daenarys Targaryen’s constitution – and his points are mostly well made with images of a young Emilia Clarke that clearly point to hip-enhancements in addition to imagery display the masculine features of her head size, skull and eye-sockets. In addition we must expect Hollywood to have equally enhanced other features artificially as they are accustomed to do.

In the quest for cisgender A list actresses in Hollywood, i’m sad to say “Our watch has yet not ended” and the Game of Thrones tv series looks like the wrong place to expect finding anyone cisgender. Maybe the whole GOT series is in reality a Game of Genomes where straight natural men and women just are too stale and predictable to make the fantasy fiction magically work.

MrE – 16:10 (mm:ss) – First 6m30s on Emilia Clarke
Game of Thrones – The Night is Dark and Full of Trannies


*numbers from SAG-AFTRA (Screen Actors Guild and the American Federation of Television and Radio Artists)

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Female Fiction

Women Who Kill poster
Women Who Kill is a 2016 criminal satire directed by Ingrid Jungermann, where gay ‘true crime’ podcasters Morgan & Jean come to suspect Morgan’s new lesbian love interest to be a killer.

Ingrid Jungermann is a contemporary lesbian film-maker and represent a clearcut case where Elite Gender Inversion is as apparent as the LGBTQ propaganda she creates. This film came to my attention simply as the title contains a gender specific slogan, albeit not apparently gay in any way before familiarising with the content and storyline. We are supposed to expect women be as often lesbian as they are straight, but it might be dangerous to buy into such false premises to eagerly.

The film poster really had me pondering whether the front-figure actually would be presented as a woman or not to the public – and that turns out to be the case – it is actually the lesbian film director herself that is seen posing in the foreground on the movies blue feature image. Sometimes images convey more information than words, and this film is yet another moment where EGI invites itself deceptively into everyday media, and where only knowledge of EGI actually can help correctly analyse and understand what is really presented to the public.

Ingrid Jungermann
Ingrid Jungermann at Tribeca Film Festival 2016 (born in Florida 1977)
•Male bodytype, male headsize, significant trachea, long arms, male hands & digit ratio, wide chin, prominent jawline, wide set eyes and male nose (typical male length and tip-angle)

Jungermann does walk her talk apparently, and her love life is often at the crux of her ‘message’ as she defends female right to their gender specific expression and sexuality. Hmmm. Ingrid Jungermann”s partner actually look more like a younger man in the person of Desiree Akhavan – her co-star from The Slope, a web-tv-series about ‘superficial, homophobic lesbians‘.

Desiree Akhavan
Desiree Akhavan in Silverlake 2014 (born in New York City 1984)
•male size head, square shoulders, prominent brows, male hairline, male nose and mouth – seemingly a man with makeup 

*Original text here

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Married to Men

There are many famous couples where something seems off with the bride – male celebrities often seem drawn towards men impersonating as women – not natural cis-gender females.

Whenever someone puts on disguise, they will be hard to identify and even harder to spot if you are unaware there is a show going on. And the show is indeed on, the question is if you actually want to understand what show it is ?

The Beatles is a great exemple of popular propaganda where stars are created out of thin air and an entire generations mindset changed. That is the myth as it appears today and is propagated in various ways be it through conspiracy theories on John Lennon’s death, Paul McCartneys replacement or another greatest hits album.

An underlying storyline is nevertheless present, and new YT transvestigator Vicky S. does a good job of showing how very obvious the Beatles members wives and ‘girlfriends’ all look as they could be men originally. What are the chances that all Beatles members have transgendered partners ?

Linda McCartney: Winged Tranny (07:21 mm:ss)


George and Ringo’s Trannies (06:10 mm:ss)


Yoko Ono: John’s Trannies (06:25 mm:ss)

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Made Up Women

Make-up is a powerful tool to make an EGI individual appear more gender-typical and one of the oldest tricks in the continuous efforts to produce EGI disguise. The use of Make-up well emphasise how the Elite use very subversive techniques for adapting common customs to fit their own agenda and the EGI individuals.

Lips are enlarged for cis-gender women by its commonly recommended use which encourages accentuation of the mouth. Such practice might allow MTF individuals to take the opposite route and make their mouths appear less prominent and/or large. The naturally more red lips of women (thinner lipskin & more blood vessels) are thus also concealed and deceptively transfigured.

Cheeks can be transformed with blush and make cis-women appear to have higher, more prominent cheekbones – like men. Inversely, an EGI male-to-female person can use blush to diminish the impression of male cheekbones and soften the harder lines of most men. Heavy eyeshadow will make female shallow eyes appear deeper and give the illusion of more shadow – the deep set back eyes of males are thus less distinguishable and might even be counterbalanced. Various highlights can make prominent bones (eyes, cheek) become less prominent and mislead attention… Makeup seems to be made up, and it clearly serves the EGI well.

ice water roof – 07:50 mm:ss
The Make up Agenda

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Octoman


Nadya Suleman gave birth to octuplets 2009 with help of ART (IVF)

ART is the acronym for Artificial Reproduction Technology and no doubt an area of great interest to the Elite. Only by the choice of words, it seems that the Elite do indeed master the art of creating artificial pregnancies. Art signifies the mastery of a discipline, and while many medical fields have not seen much advancements or cures in modern times (despite numerous claims), advanced reproduction technologies have been rolled out at a fast pace, becoming widely available to the population in the western world (for now).

From an Elite perspective, reproductive technology is a key area where they not only will better ensure their own lineage and possibly ‘improve’ their superior nature, but more importantly ART will give the current technocracy the ability to control their working force to an unprecedented degree. The incessant population polls, allopathic hospital births and mandatory infant follow-up with medical procedures tend to show the Elites strive to achieve complete dominion over their prime resource – fellow humans. By pure technocratic logic, artificial reproduction technology holds the promise to gradually ensure the Elite a long sought after control of the most primordial criteria to human existence – reproduction.

When we look at how Artificial Reproduction Technology became such a ‘necessity’, we already have many trails that indicate how fertility rates constitute secret target since quite some time. There might be many roads that lead to low fertility rates, but significant factors would be vaccines, birth-control and food. The sterilizing effect of vaccines is well established in alternative investigations (see Clint Richardson’s work here ), pesticides and food preserving chemicals are known dangers, the pill modifies a woman’s hormonal balance in a detrimental way and there might be more to wearing condoms than the immediate sterilizing effect.

To sell the attractiveness of ART there is of course nothing better than propaganda. We might already have more serendipitous promotion of Artificial Reproduction Technology than we are aware of. As with most propaganda, it is manufactured according to established and proven procedures – and in the case of childbirth we are clearly subjected to archetypical gender models which we know is of interest to our class of Better‘s. What more predictable than the Elite to make us awe at contrived wonders of ART (Artificial Reproduction Technology) – Hello Octomom Nadya Suleman.


Suleman very pregnant 8 days from the birth of her octuplets (2009)

The story of Natalie Denise Doud-Suleman is in itself very rich and might deserve a whole topic on its own in regards to media deception. Some interesting facts from Suleman’s very mediated life is that she’s the mother of 14 children (Double Zayin) all from in vitro fertilization (IVF), engaged her own PR company same week as her mega-birth, signed tv-rights for each of her octuplets, went on tv-shows very shortly after delivery (Dr.Phil, Oprah & more), posed nude for UK magazine Closer, filed bankruptcy in Orange County, starred in the film ‘666 Devil’s Child‘, featured as the bride in the Cledus Judd ‘Honeymoon‘ music-video, worked as a stripper, checked herself into Chapman House Treatment Center LA for Xanax addiction, and to top it all off – made an adult movie called ‘Octomom Home Alone‘ by Wicked Pictures. And of course, there is more drama to be found regarding ‘Octomom’ – it seems as plentyful as her fertililty.

Despite the quantity of media news-stories, an important fact the press conveniently avoid to adress is that Doud-Suleman could be as artificial as her offspring and in reality no mother at all. Her character seems entirely created for the pleasure of the media acting as a deceptive proponent of in vitro fertilization, and using a fair share of negative publicity to do so. As one might come to realise, the Elite has a gender-agenda on their drawing board and whenever they introduce a gender-typical model, they seemingly force-fit EGI characters into the script whenever they can. Only by her name does Octomom Nadya Doud-Suleman seem to tell the story quite plainly – ‘Doud’ is remeniscent of ‘Dude’ and Suleman seems to be a pun where the french word for only/alone (Seul/Sule) precedes the very typical “Man” we find appended to so many illustrious names. The Octomom might well be a ‘Dude’ and a Single Man (Suleman)…

“I have no interest in being famous. I’d love to vanish from the public eye as soon as I can.”
— Nadya Suleman


‘Octomom’ (2010) in Animal Rights campaign (PETA) for Pet Birth Control
•male overall proportions, square shoulders, breast implants, long arms, wide mouth, long dos and deep set eyes



N. Suleman exhibiting slender figure on Orange County beach (2011)
•male overall proportions, square shoulders, breast implants, long arms, big hands, narrow hips, male adonis bel and no q-angle (despite deceptive pose)


(original text found here)

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