Known Nuns

Sr Dolores Farmer co-founder of The Sisters of the Holy Family
Sr Dolores Farmer – co-founder of The Sisters of the Holy Family (S.H.F.)

Religion seems to be the primordial building block for any civilised society and its position gained from authority on topics that objectively have no defined answers. To be able to persuade informed men and women that there is merit to such unverifiable claims as the origin of life and death is on the surface nonsensical – yet every culture seems to have their own recipe readily available.

Belief is itself a very questionnable notion we are incessantly reminded to respect no matter how ill founded. The salesmen of religion have of course their specially designed cookbook where anything can be supported by twist of a verse supported by the authoritative fallacy of it’s author who is not even a man but a versatile God who awaits to judge us in the afterlife.

Such an outlandish proposition would normally make any truth-seeker cringe, and even more-so when they discover to whom the Bible’s author chose to entrust his legacy – a group of unscrupulous men in silk dresses, hats, jewellery and disposing bank-accounts so rich it is beyond decency they dare collect any more money at all let alone pretend to work in the interest of the poor. But they do.

So twisted is the nature of religion that it should be no surprise their fraud is only possible because it is of such proportions the public can not imagine the perversion and dishonesty required for such falsehoods and lies. Hitler called the recipe the big lie and we still have not uncovered just how ‘big‘ the lies of religion really are nor how deep they are rooted.

When we rid ourselves of the incredulity this robed community has mastered to hide behind for far too long we soon encounter obvious problems with the very gender-identity these ‘oh lie’ or ‘holy’ sales representatives have chosen to hide behind.

It would seem a bit risky for the clergy to tie too many links between the church and Holywood but of course these are actors selling the product and no surprise in how some actresses transitioned so well into the role of nuns. The Lord seem to indeed have made his earthly representatives in his own image and that clearly appear to be an inverted reality where sisters are brothers and fathers are mothers.


Dolores Hart – here as a Hollywood actress


Dolores Hart played Elvis Presley’s sweetheart in the movie Loving You (1957) only 18 years old. Later in her career, Dolores met Pope St. John XXIII in Italy during a film shoot, and when she introduced herself as Dolores Hart the Pope responded “No, you are St. Clare of Assisi!”

Mother Dolores Hart 2012
Dolores Hart, now Reverend Mother, arrives at the 84th Annual Academy Awards in 2012 with her ‘former’ Holywood siblings


Olalla Oliveros – during her modelling career


Olalla Oliver is Spanish model and actress that received in her mind the image of herself dressed as a nun upon visiting the Catholic pilgrimage site Fatima in Portugal –  “The Lord is never wrong, He asked if I will follow him, and I could not refuse”.


Olalla Oliver with her Catholic ‘sisters’


Amada Rosa Pérez from Columbia is seemingly the next actress and model expected to turn up in Nun’s clothing as she is currently under religious conversion in a Marian religious community.

Be the 1st to vote.

Twisting our credulity

“She is known for her powerful, husky voice, and poetic and somewhat obscure lyrics.”

The number of female singers with deep “husky” voices clearly outnumber what one would expect to find naturally. Of course there seems to be nothing natural about the music industry.  And much like many fellow pop-stars there is something very artificial with Tanita Tikaram as well.

Tanita Tikaram was born to an Fijian-Indian British Army soldier and a Malaysian mother so her physical looks are indeed inhabitual – still it is hard not to notice her typically male voice and masculine looks regardless of origin.

Tikaram must today be regarded as something of a one hit wonder – and her biggest hit came with her debut album at only 19 years old with her first singles that became top 10 hits around Europe. None of Tikarams later efforts ever matched her debut album and her popularity has quietly dropped since her smashing debut. Maybe her looks and voice did get noticed, only not by the public but rather by the music executives who detected what we see today – Elite Gender Inversion.

Tanita Tikaram “Twist In My Sobriety” – 04:36 (mm:ss)


Tanita apparently drinking from a teacup


Pretty visual play here – ‘Manita’ some might think


Tikaram playing bull with short index fingers

Be the 1st to vote.

Poly tricks


Rosa Luisa DeLauro – in the US House of Representatives since 1991

We are all used to the expression ‘Politics is show business for ugly people’ and when we pause and realise Elite Gender Inversion is all over Hollywood it quite logically follows that politics might be as full of EGI as acting itself.

What might take some time realise is that as much as Hollywood play on the archetypes of beauty – Politics is on the contrary taking the opposite direction towards bad looks – and often plain ugliness.

To pause and take inn every feature of a repulsive looking person is of course not natural behaviour, and for this reason we mostly never notice or analyse very thoroughly any politicians face. In other words, ugliness is a very effective tactics for disguise – more so than Hollywood’s obsession with beauty that invite the public to stare and adorn thus looking with more attention. Of course, to look closely does mean that most really see. But to not look in the first place must constitute even better assurance for politicians to remain well guarded from public scrutiny.

If we counter-intuitively lend ourselves to the game of actually observing closely, we might all notice what MrE lays out in a number of his recent videos : female politicians are quite often men acting as women, and blatantly so. Elite Gender Inversion at a significant scale, hidden in plain sight.

There is nothing more deceptive than an obvious fact
-Arthur Conan Doyle

The scale of the EGI community is for most difficult to evaluate – are there just some cases or are there many ? The wide variety of physical traits in the population and also amongst the Elite makes it difficult to judge the EGI presence as a whole. The criteria will change according to the origin and ‘genetic’ makeup. How well we individually can recognise gender characteristics in different types of individuals can vary and some Elite individuals will be easier to identify as some have handicaps (aesthetically speaking) when it comes to how well they can successfully transit between genders physically.

What is certain nevertheless is that a majority of female politicians are indeed transpicious, and from the exemples MrE showcase in his videos (below) we have to finally realise that EGI is far from being just a few cases in politics. There are many female politicians born male and merely acting as women. So much so that we must assume this is well known to the whole political class – there are too many cases and too much intimacy and cohesion between politicians for anyone in this ‘industry’ to be oblivious to such a fundamental fact and constitution.

And there are many EGI entities in politics since a long time back – so far back it is excluded the Elite could choose their offsprings gender solely male as is now the case with modern assisted reproduction technology. It is therefore unlikely, or impossible rather, that everyone in politics are male… This fact forces the logical conclusion that many of the men in politics are inverted as well.

Of course, it is easier to spot men acting as women due to the fact male hormones have such a huge impact of the physical appearence of a female subject. Still, the rationale here is simple – there are a predominance of female politicians that are in fact men and it follows that a large part of male politicians are in fact born female. I don’t like it, you might not like it – yet it cannot be otherwise as majority of females in the political class turn out to be of male birth.

Further, the physical traits in policial couples are also clearly inverted which makes it is more likely it is our faculty to analyse gender-typical traits that is lacking more-so than inversion being practiced only on men and that the Elite give birth to only baby boys. Numerically such an occurence is not rational or even possible according to any birth statistics available.

Where there is one, there are many

MrE does not go all the way to the mandatory male portion of the EGI equation in politics (yet), but he should and… we must. EGI is a variety of tricks for both males and females, and in politics they seem to use them all – EGI poly tricks.

House of Trannies – 15:46 (mm:ss) – MrE


Gender Bending US Senators – 15:50 – (mm:ss) – MrE


Janet Yellen 16 Trillion Dollar Man – MrE – 08:12 (mm:ss)

Caryslikes this

Nino Simone

lukeslark – 07:03 (mm:ss)
Black Is The Color Of My True Love’s Hair (1969)


The music industry might on close inspection be the most EGI ridden field there is. Besides the apparent traditions in Elite families to invert gender, the ever improving hormone treatments surely present additional incentive for such a prominent share of top musicians to practice Elite Gender Inversion. The greatest vocalists of the past according to popular lore were surely the “castrati”, who were admittedly produced from hormone alterations caused by castration.

The myth around the castrati opera singers were of course that they were young boys from poor families who were emasculated before puberty motivated on behalf of their parents by financial gains. This theory does seem plausible today in light of EGI as we know hormones were widely popularised during the renaissance among the Elite and what effect such chemicals produce in the body, namely the exact same symptoms as castration. It would therefore fit perfectly with the Elites modus operandi to keep their secret knowledge of hormonal alchemy to themselves all while spreading horrible stories to the general public.

There is little incentive for a class of individuals who idealise hermaphroditic gods and deviant sexual behaviour to suddenly sexually maim their own role models when the desired voice-alterations can be obtained as effectively with hormones. Not to mention the Elites apparent taste for prepubescent boys, toys intact. The fact that the castrati opera singers were immensely popular and wealthy in their time also begs the question if these individuals really came from poor families as we today are told similar stories of our contemporary celebrities – which never seem to be the case. Brad Pitt never delivered anyone newspapers in the morning to pay for his lunch.

If we assume that todays Elite has preserved their place in society through carefuly preserving their lineage, possessions and fortunes, we must naturally conclude that this holds true as well for popular entertainers who more often than not seem to be groomed early age to become rich and famous. The transmission of trade-secrets and knowledge would therefor give Elite families offspring an unfair advantage compared to the regular stock – and additionally the financial ease and social network would make it close to impossible for anyone normal to gain foothold in such industries as music.

There might be exceptions – but the elite have an unfair advantage that is best kept by secrecy and empty promises to the masses such as anyone can become president. Well, they can’t and they won’t. I’d say the same applies to music – especially as the Elite seems to have hormones even moreso on their side in this domain than in politics. How many cisgenders can objectively compete for attention in company of castrati voice profiles trained from a young age ?

One of the most mythical voices of jazz and popular music was surely Eunice Kathleen Waymon aka Nina Simone – the High Priestess of Soul. Her voice is described being ‘androgynous’ with an unusual cracking low range with magnificent intensity. Simone is regarded as one of the most influential recording artists of the 20th century and the 29th greatest singer of all time according to Rolling Stone magazine.

Nina Simone (1933-2003) had a long and successful career and despite her popularity were at it’s peak in the 1960s, there is still a good record of her performances and recordings available in video and audio form.

Today most artists will be discovered through audiovisual media, but that was not necessarily the case before – so many will have heard Nina Simone more often than they have seen her. No doubt that Simone does make an impression when you hear her sing – whether it be pleasure or frustration. However, when you go back and watch her as she performs – your impression might change in light of her predominantly masculine appearence, especially with EGI in mind.

nina simone 1960
Nina Simone in concert (ca. 1960)

All the more i look back at the music i’ve enjoyed in earlier years – it is quite scary how unrepresentative these individuals really are to me today. I can still enjoy the music in parts of course – but i’m very compelled to ask myself if i could not have bonded with whatever type of music presented in my youth and that guided me when music was an important distraction from my parents and forced schooling, even identified me socially among youth and dictated my dress code.

nina simone 1999 England
Nina Simone in concert UK 1999

Regarding Simone, what speaks the most is actually the various videos hereunder – nevertheless it might be worth noting from the photos that Nina Simone has a typically male sloping forehead and very wide dental arch, and these features alone makes it improbable she ever was born female nor could have any children. Analysing her features it becomes clear she’s had a severe jaw contouring which gives her a very awkward profile which serves to counter-balance her distinguished male forehead.

By studying this case through the multiple videos and visuals it is disheartening, almost sad, to see Simone change over time by the effects of hormone therapy and witness the efforts made by the artist to act as a natural woman despite her evidently masculine nature.

Andres Burbano – 7:04 (mm:ss)
Nina Simone – Sinner Man


EGI Forum entry found here

Be the 1st to vote.

Restless Male Creature


Wendy Whelan in her final 33rd year at the NYCB (1981-2014)

Ballet is undeniably upper class since its inception as a Royal art in the 1600s. Todays ballet has incorporated many modern variations – most notably in the United States by George Balanchine who developed neoclassical ballet. Wendy Whelan was supposedly “created” for Balanchine ballet as she lead the New York City Ballet for more than three decades dancing a repertoire of more than 50 ballets.

Wendy began her dance training with Virginia Wooton (VW) at the tender age of 3 in Louisville and later joined the official school of New York City Ballet (SAB) at the age of 14. A spine injury (scoliosis) made the young ‘lady’ obliged to wear a heavy plaster cast for quite a while – most possibly an astute explanation for advanced manipulation of her actual male type back and pelvis in order to comply with her future role as the principal female (!) dancer at the NYCB.

After 33 years with the New York City Ballet, Wendy Whelan left in the stage in 2014 all while she had already begun a new nationally adventure in 2012 called “Restless Creature” where Wendy Whelan dance duets with the choreographers of each part of her ballet performance. The homonymous “Restless Creature” documentary film seem to be the foundation Whelan’s legend will be built from as a role-model female who vanquished her serious physical deformity and earned her way to the top through hard work.

There are 33 known degrees in freemasonry that is supposed to lead to the title of Master Mason or MM and rotated 90° clockwise the MM’s becomes 33. The same is the case with Wendy Whelans acronym when rotated counter-clockwise. WW equals 33 which indicates how Wendy Wheelman’s name (WW) is no accident and strongly suggest her role as the lead dancer in american ballet was wilfully orchestrated and that her inversion from male to female began as early as 3.


Wendy Whelan on stage (ca. 2011)
•male length arms and proportion, discernible adonis belt despite clever costume, important trachea, male size ribcage & no space for pregnancy, sloping forehead and male hairline, masculine facial profile with important nose and general wide features


Wendy Whelan dance study series by Howard Schatz (ca.2000)
•legs of steel – male type calves and long thigh muscles with compact masculine gluteus muscles (butt region)


Wendy Whelan and Craig Hall in ‘After The Rain’ 2012
•typical muscular male legs and important knee-caps and calves, worrisome pelvis-bulge, sizeable ribcage, long neck and male face profile with square jawline, chin and nose


Wendy Whelan and Craig Hall – close-up
•obligatory closer look at the worrisome pelvis-bulge – this is (in french) male genitalia with tucked testicles


Wendy Whelan published frequently all through her mysterious hip injury in 2014
•Whelan’s hospital tweet show her female digit ratio with a measurable longer index-finger than ring finger – reassuring one would be led to believe


Wendy Whelan from Boston Globe coverage 2013
•In this face-shot is discernible how Wendy Whelan has a clearly shorter index finger than the hospital close-up would suggest. In other words, WW finds it useful to doctor imagery of her hand to imitate female digit-ratio


Wendy Whelan photographed by husband by David Michalek for Vanity Fair magazine 2014
•male body proportions with big head, big hands, square shoulders, long humerus bone and male legs with big feet


Wendy Whelan – unanimous acclaim after ‘Restless Creature’ performance
•square shoulders and straight up & down body frame, huge male size ribcage & no space for pregnancy, male chin bones, deep eyes, male nose

*original article here

Caryslikes this

Chap (man)


Tracy Chapman born in Cleveland Ohio 1964

Some individuals in the entertainment industry are clearly scripted to test our critical faculties and in the case of Tracy Chapman it safe to say we are well served.

When i discovered Chapman as young, i did already pause and ask myself if this individual really could be a woman as she was represented to be. Everything seemed wrong – her voice, her face, her body… Not to mention Chapman lately came out as a lesbian and longtime partner of Alice Walker (author of The Color Purple). Even her name went by unnoticed at the time, but looking back.. Chapman.. Really ?

The purpose for making some EGI cases obvious and somewhat blatant as with Chapman can be of psychological nature. As a matter of fact, when we accept this type of couvert psychological abuse it constitutes a subtle but efficient attack on our critical mind, and we might in fact modify our behaviour as we subconsciously thus bond to our aggressors (traumatic bonding). With Chapman we are flagrantly abused by the music industry and the mainstream press – music to the ears of some.

Many openminded alternative researchers apparently have their eyes wide shut, but the abuse to which we are all subjected is consequential and to repair the damage might take longer than what we might anticipate. It is an easy excuse to find plausible denial in the many difficult cases as transvestigators try to catch up to the latest and sometimes unlikely candidates for Elite Gender Inversion.

EGI resistant researchers really do not need more than one affirmative case in order to forcibly reevaluate their position and attitude. If there are indeed Elite members who impersonate the opposite gender consciously, wilfully and knowingly to our incredulity and detriment – it is only the abusive bonding to the system we live under that prevent ‘critical minds’ to see what is so screamingly obvious in many celebrities and especially in this case – it is a Chap, man !

Atlantic Records – 04:24 (mm:ss)
Tracy Chapman – Bang Bang Bang

likes this

Drag on TV


Emilia Isabelle Euphemia Rose Clarke, born 1986 in London

Hollywood is undoubtably very Elitist with actors more often than not part of the EGI in-group. The most popular and mediated productions would be where we expect to see the highest percentage of Elite Gender Inversion. With approximately 160.000 screen and media actors* in the USA, it nevertheless seems improbable that everyone is part of the Elite Gender Inverted family.

Even among the most popular actors it therefore would seem logic that there is a mix of cisgender and EGI individuals – even though anyone cisgender in high society would necessarily be aware of the prominent EGI presence.

When looking for the rare cisgender celebrities in Hollywood, we soon encounter difficulties and it becomes frustrating to not find many convincing cases. This would certainly also be by design, but still, the task seems feasible and rather mundane – until you start really looking… And when looking closely, there are not many A List actresses that can be considered convincing candidates.

One of the A List actresses that is very popular and appear quite feminine is Emilia Clarke, best know as the ‘Dragon Queen’ Daenerys in the immensely popular TV show Game of Thrones (GOT). Clarke is quite convincing in her role as a cisgender female – she’s short (1m57) and curvaceous, her arms and legs are not overly long, her hip to shoulder ratio is in order and her skin appealingly smooth, soft and pale. In short, Emilia Clarke really makes a convincing case as a natural born female and the case for a mix of real women and Male to Female (MTF) actresses in Hollywood.

However, it seems this initial assessment of Emilia Clarke might be to reconsider and that the search for a convincing A List actress in Hollywood still remains unsatisfactory. In a follow-up video on GOT actors, MrE does a convincing job of casting more than reasonable doubt on Daenarys Targaryen’s constitution – and his points are mostly well made with images of a young Emilia Clarke that clearly point to hip-enhancements in addition to imagery display the masculine features of her head size, skull and eye-sockets. In addition we must expect Hollywood to have equally enhanced other features artificially as they are accustomed to do.

In the quest for cisgender A list actresses in Hollywood, i’m sad to say “Our watch has yet not ended” and the Game of Thrones tv series looks like the wrong place to expect finding anyone cisgender. Maybe the whole GOT series is in reality a Game of Genomes where straight natural men and women just are too stale and predictable to make the fantasy fiction magically work.

MrE – 16:10 (mm:ss) – First 6m30s on Emilia Clarke
Game of Thrones – The Night is Dark and Full of Trannies


*numbers from SAG-AFTRA (Screen Actors Guild and the American Federation of Television and Radio Artists)

Caryslike this