Royal Red Herring

Any appearance of a celebrity in the media will presumably always be planned and pre-arranged. When it comes to Royalty they are followed by a whole team of journalists, dedicated news-magazines and all-around global press coverage of any significant event.

Kate Middleton is the current Duchess of Cambridge and married to Prince William who is destined to become king of the United Kingdom. Middleton has been discussed and analysed before* as she clearly does not appear fit to carry any child despite the large hands and her best efforts to put on weight.

Catherine Elizabeth Middleton
•Catherine Elizabeth Middleton here pose in a purposefully staged shot heavily figuring her digit ratio as clearly female as it is altered to appear so

Childbirth would historically be a particularly important illusion* for the EGI. In order to effectively incarnate their inverted gender-role, the act of birth is clearly one of the most emblematic moments the Elite have to present to the public. And the bigger the lie, the harder it is for the public to fathom what they are presented.

Of course, once you have shed away the veil of magic the fact remains that the Elite still have to put up a performance for their public make-believe incarnation of the opposite sex to hold true. The fact there is nothing natural about the act of birth as portrayed by the EGI in public – they still make considerable efforts to play the act to perfection.

“Considering that Mia Farrow’s character in the movie is impregnated with Satan’s child by a coven of witches, the similarities are eerie and completely unsettling if you think about what it could possibly say about the newborn prince.”
Lyndsey Matthews for Harper’s Bazaar

Sometimes fakery and fraud can be detected by the absence of natural human behaviour replaced by artificially over-produced scripts. In the case of Kate Middleton’s assumed fake child-birth, it seems the scriptwriters went to great lengths to find symbology in the dressing-code and thus thread far too heavy on the artificial nature of the commonly trivial occurrence of a newborn child.

Effectively, the scriptwriters behind the scenario for Kate Middleton’s magic act of producing a child she never was impregnated with seems to have their fingers stuck in the cinema cookie jar as they directly copied Mia Farrow’s dress from the occult masterpiece for some* : Rosemary’s Baby from 1968 (wiki)

Rosemary s baby 50 years later
•the very same dress worn by 50 years later well demonstrate the over-emphasis that can occur when you try too hard and there are no real facts to hang on to

*a fairly recent transvestigation by “Trans Investigator” – video here

*speculation on EGI childbirth magick in the forum – post here

*red dress coincidence theory from Harper’s Bazaar – article here

Avatar photolike this

Octoman


Nadya Suleman gave birth to octuplets 2009 with help of ART (IVF)

ART is the acronym for Artificial Reproduction Technology and no doubt an area of great interest to the Elite. Only by the choice of words, it seems that the Elite do indeed master the art of creating artificial pregnancies. Art signifies the mastery of a discipline, and while many medical fields have not seen much advancements or cures in modern times (despite numerous claims), advanced reproduction technologies have been rolled out at a fast pace, becoming widely available to the population in the western world (for now).

From an Elite perspective, reproductive technology is a key area where they not only will better ensure their own lineage and possibly ‘improve’ their superior nature, but more importantly ART will give the current technocracy the ability to control their working force to an unprecedented degree. The incessant population polls, allopathic hospital births and mandatory infant follow-up with medical procedures tend to show the Elites strive to achieve complete dominion over their prime resource – fellow humans. By pure technocratic logic, artificial reproduction technology holds the promise to gradually ensure the Elite a long sought after control of the most primordial criteria to human existence – reproduction.

When we look at how Artificial Reproduction Technology became such a ‘necessity’, we already have many trails that indicate how fertility rates constitute secret target since quite some time. There might be many roads that lead to low fertility rates, but significant factors would be vaccines, birth-control and food. The sterilizing effect of vaccines is well established in alternative investigations (see Clint Richardson’s work here ), pesticides and food preserving chemicals are known dangers, the pill modifies a woman’s hormonal balance in a detrimental way and there might be more to wearing condoms than the immediate sterilizing effect.

To sell the attractiveness of ART there is of course nothing better than propaganda. We might already have more serendipitous promotion of Artificial Reproduction Technology than we are aware of. As with most propaganda, it is manufactured according to established and proven procedures – and in the case of childbirth we are clearly subjected to archetypical gender models which we know is of interest to our class of Better‘s. What more predictable than the Elite to make us awe at contrived wonders of ART (Artificial Reproduction Technology) – Hello Octomom Nadya Suleman.


Suleman very pregnant 8 days from the birth of her octuplets (2009)

The story of Natalie Denise Doud-Suleman is in itself very rich and might deserve a whole topic on its own in regards to media deception. Some interesting facts from Suleman’s very mediated life is that she’s the mother of 14 children (Double Zayin) all from in vitro fertilization (IVF), engaged her own PR company same week as her mega-birth, signed tv-rights for each of her octuplets, went on tv-shows very shortly after delivery (Dr.Phil, Oprah & more), posed nude for UK magazine Closer, filed bankruptcy in Orange County, starred in the film ‘666 Devil’s Child‘, featured as the bride in the Cledus Judd ‘Honeymoon‘ music-video, worked as a stripper, checked herself into Chapman House Treatment Center LA for Xanax addiction, and to top it all off – made an adult movie called ‘Octomom Home Alone‘ by Wicked Pictures. And of course, there is more drama to be found regarding ‘Octomom’ – it seems as plentyful as her fertililty.

Despite the quantity of media news-stories, an important fact the press conveniently avoid to adress is that Doud-Suleman could be as artificial as her offspring and in reality no mother at all. Her character seems entirely created for the pleasure of the media acting as a deceptive proponent of in vitro fertilization, and using a fair share of negative publicity to do so. As one might come to realise, the Elite has a gender-agenda on their drawing board and whenever they introduce a gender-typical model, they seemingly force-fit EGI characters into the script whenever they can. Only by her name does Octomom Nadya Doud-Suleman seem to tell the story quite plainly – ‘Doud’ is remeniscent of ‘Dude’ and Suleman seems to be a pun where the french word for only/alone (Seul/Sule) precedes the very typical “Man” we find appended to so many illustrious names. The Octomom might well be a ‘Dude’ and a Single Man (Suleman)…

“I have no interest in being famous. I’d love to vanish from the public eye as soon as I can.”
— Nadya Suleman


‘Octomom’ (2010) in Animal Rights campaign (PETA) for Pet Birth Control
•male overall proportions, square shoulders, breast implants, long arms, wide mouth, long dos and deep set eyes



N. Suleman exhibiting slender figure on Orange County beach (2011)
•male overall proportions, square shoulders, breast implants, long arms, big hands, narrow hips, male adonis bel and no q-angle (despite deceptive pose)


(original text found here)

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