Category: Audio

Women aren’t men

Here’s why, including the obvious.

The Infectious Myth – Gregory Brown on Biological Males in Women’s Sports

2020-02-18 by Progressive Radio Network

Web player: podplayer.net/?id=96354727
Episode: mcdn.podbean.com/mf/web/98tm3p/TIM_021820.mp3

Gregory Brown is a Professor of Exercise Science who recently submitted an expert report on the impact of biological males, such as transgender women, in female sports. Some differences are obviously simply by looking at elite male athletes, who have significantly more musculature, are taller, and have stronger and larger skeletons than women. Others are less obvious, such as the wider hip structure of women, great oxygen carrying capacity of the blood in women. Depending on the type of sport, men have a 10% to 30% advantage over women. As women’s sports have become better funded, leading to equitable training between men and women, the significant differences between men and women have stabilized. Transgender women in female sports will destroy the motivation of women to participate in sports, knowing that at any time a second rate male athlete can simply declare that they feel like a woman, and win races. Greg Brown and David also discuss how the evidence is mounting that even lengthy hormone treatments does very little to erase the biological advantage that males build up through puberty.

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Transgender reality 

Sensible realities of regular people trying to make the change. 

Jenn Smith is a transgender person, born into a male body, but often living with his feminine side. And yes, Jenn does not deny his biological maleness, and prefers the pronoun ‘he’, even when all glammed up. Jenn has a more nuanced view between the dogmatism of transgender activists, who object to statements, such as that a man can never fully become a woman, and feminists like previous guest Meghan Murphy who are concerned with the encroachment of people claiming to be women, but are still bio

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Not Simply Red

Music is an influential medium where the audience can be easily mislead. The pop-culture have since long introduced very influential role-models who does not seem to be promoted merely because of their musical prowess (i.e. lip syncing & autotune) but more often popularised according to their potential cultural influence, particularly in younger generations.
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Sometimes the lines between talent and life-time acting seem blurred as some musicians have undeniable talent but an image that seems overly artificial or ackward. Maybe such impressions are the result of conflicting ideas about how to promote an artist or under what agenda their talent can be of use. Either way, looking back at Mick Hukcnall (wiki) it is easy to detect a large array of styles and memes but unfortunately no probant rhetoric that ever was able to make Simply Red’s lead singer any more masculine in appearence or as a pop icon.
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Holding Back The Years (Live) – Manchester 1990 – 03:24 (mm:ss)
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As with other artists covered previously (Tanita Tikaram, Nina Simone, Tracy Chapman, Jimmy Somerville or Kim Carnes & others), it is not merely the looks that betray Mick Hucknall but also the high pitched voice. No doubt, major efforts have been made to arrange the melodies and vocal style as to mask the female qualities of his voice. Listenening anew on many of Simply Red’s tracks it is nevertheless evident that Hucknall has an unlikely ease of singing very high tones despite his somewhat ‘husky’ speaking voice.
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What better than to disguise such a short grown effeminate singer as an alpha male and serial dating fuckalot ? As suspected, Mick Hucknall is not shy of apparently jaw-dropping female conquests including super models, celebrity actresses and other stars such as Helena Christensen, Catherine Zeta-Jones, Adriana Karembeu, Steffi Graf or Brigitte Nielsen to name but a few.

‘A red-headed man is not generally considered to be a sexual icon but when I had the fame, oh my God, it went crazy. Between 1985 and 1987, I would sleep with about three women a day, every day. I never said No. This was what I wanted from being a pop star. I was living the dream and my only regret is that I hurt some really good girls.’
–Mick Hucknall in 2010 ‘The Guardian’ interview (article)

The enticing hit song entitled ‘Holding Back The Years’ made Simply Red globally famous in the mid 1980’s and in that respect it is ironic that Mick Hucknall today seems unable to hold back the years very well in regards to EGI. In fact it rather seems like Simple Red’s lead singer is struggling to both maintain his weight and appearence. Time does not play well a lot of celebrities, and the changes we witness are not merely due to failed plastic surgery, weight-gain and poor lifestyle. More often than not celebrity appearence breakdown is better explained by Elite Gender Inversion and the procedures and medical treatments it entails.
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Mick Hucknall Nobel Peace Prize Concert 2006 at Oslo Spektrum, Norway.
Mick Hucknall at 2006 Nobel Peace Prize Concert press conference in Oslo
•close facial features, small close set eyes, short nose, short mouth, no jawline and female red-coloured lips
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As we develop into adults the gender-typical differences are slighter than with age as many gender typical traits are accentuated with time. For individuals who are deceptively incarnating the opposite gender, this development is of course problematic as it leads to natural males accentuating their male traits and vice versa. For Hucknall it is clear he completely lack many male features such as hip to shoulder ratio, browbone structure, decent collar bones or male jawline.
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Mick Hucknall in 2010 staged beach photo shoot (Cala di Volpe, Sicily)
•female shoulder to hip ratio, proportionally small head (typically female) partly disguised by voluminous hairstyle
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Simply Red "Men and Women" album cover (1987)
Simply Red “Men and Women” album cover (1987)
•Mick Hucknail has female digit-ratio and his long index serves him well as he twist fingers to indicate Elite Gender Inversion all while making the popular celebrity hush-hush sign as well.
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Twisting our credulity

“She is known for her powerful, husky voice, and poetic and somewhat obscure lyrics.”

The number of female singers with deep “husky” voices clearly outnumber what one would expect to find naturally. Of course there seems to be nothing natural about the music industry.  And much like many fellow pop-stars there is something very artificial with Tanita Tikaram as well.
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Tanita Tikaram was born to an Fijian-Indian British Army soldier and a Malaysian mother so her physical looks are indeed inhabitual – still it is hard not to notice her typically male voice and masculine looks regardless of origin.
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Tikaram must today be regarded as something of a one hit wonder – and her biggest hit came with her debut album at only 19 years old with her first singles that became top 10 hits around Europe. None of Tikarams later efforts ever matched her debut album and her popularity has quietly dropped since her smashing debut. Maybe her looks and voice did get noticed, only not by the public but rather by the music executives who detected what we see today – Elite Gender Inversion.
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Tanita Tikaram “Twist In My Sobriety” – 04:36 (mm:ss)
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Tanita apparently drinking from a teacup
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Pretty visual play here – ‘Manita’ some might think
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Tikaram playing bull with short index fingers
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Nino Simone

lukeslark – 07:03 (mm:ss)
Black Is The Color Of My True Love’s Hair (1969)

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The music industry might on close inspection be the most EGI ridden field there is. Besides the apparent traditions in Elite families to invert gender, the ever improving hormone treatments surely present additional incentive for such a prominent share of top musicians to practice Elite Gender Inversion. The greatest vocalists of the past according to popular lore were surely the “castrati”, who were admittedly produced from hormone alterations caused by castration.
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The myth around the castrati opera singers were of course that they were young boys from poor families who were emasculated before puberty motivated on behalf of their parents by financial gains. This theory does seem plausible today in light of EGI as we know hormones were widely popularised during the renaissance among the Elite and what effect such chemicals produce in the body, namely the exact same symptoms as castration. It would therefore fit perfectly with the Elites modus operandi to keep their secret knowledge of hormonal alchemy to themselves all while spreading horrible stories to the general public.
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There is little incentive for a class of individuals who idealise hermaphroditic gods and deviant sexual behaviour to suddenly sexually maim their own role models when the desired voice-alterations can be obtained as effectively with hormones. Not to mention the Elites apparent taste for prepubescent boys, toys intact. The fact that the castrati opera singers were immensely popular and wealthy in their time also begs the question if these individuals really came from poor families as we today are told similar stories of our contemporary celebrities – which never seem to be the case. Brad Pitt never delivered anyone newspapers in the morning to pay for his lunch.
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If we assume that todays Elite has preserved their place in society through carefuly preserving their lineage, possessions and fortunes, we must naturally conclude that this holds true as well for popular entertainers who more often than not seem to be groomed early age to become rich and famous. The transmission of trade-secrets and knowledge would therefor give Elite families offspring an unfair advantage compared to the regular stock – and additionally the financial ease and social network would make it close to impossible for anyone normal to gain foothold in such industries as music.
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There might be exceptions – but the elite have an unfair advantage that is best kept by secrecy and empty promises to the masses such as anyone can become president. Well, they can’t and they won’t. I’d say the same applies to music – especially as the Elite seems to have hormones even moreso on their side in this domain than in politics. How many cisgenders can objectively compete for attention in company of castrati voice profiles trained from a young age ?
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One of the most mythical voices of jazz and popular music was surely Eunice Kathleen Waymon aka Nina Simone – the High Priestess of Soul. Her voice is described being ‘androgynous’ with an unusual cracking low range with magnificent intensity. Simone is regarded as one of the most influential recording artists of the 20th century and the 29th greatest singer of all time according to Rolling Stone magazine.
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Nina Simone (1933-2003) had a long and successful career and despite her popularity were at it’s peak in the 1960s, there is still a good record of her performances and recordings available in video and audio form.
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Today most artists will be discovered through audiovisual media, but that was not necessarily the case before – so many will have heard Nina Simone more often than they have seen her. No doubt that Simone does make an impression when you hear her sing – whether it be pleasure or frustration. However, when you go back and watch her as she performs – your impression might change in light of her predominantly masculine appearence, especially with EGI in mind.
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nina simone 1960
Nina Simone in concert (ca. 1960)
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All the more i look back at the music i’ve enjoyed in earlier years – it is quite scary how unrepresentative these individuals really are to me today. I can still enjoy the music in parts of course – but i’m very compelled to ask myself if i could not have bonded with whatever type of music presented in my youth and that guided me when music was an important distraction from my parents and forced schooling, even identified me socially among youth and dictated my dress code.
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nina simone 1999 England
Nina Simone in concert UK 1999
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Regarding Simone, what speaks the most is actually the various videos hereunder – nevertheless it might be worth noting from the photos that Nina Simone has a typically male sloping forehead and very wide dental arch, and these features alone makes it improbable she ever was born female nor could have any children. Analysing her features it becomes clear she’s had a severe jaw contouring which gives her a very awkward profile which serves to counter-balance her distinguished male forehead.
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By studying this case through the multiple videos and visuals it is disheartening, almost sad, to see Simone change over time by the effects of hormone therapy and witness the efforts made by the artist to act as a natural woman despite her evidently masculine nature.
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Andres Burbano – 7:04 (mm:ss)
Nina Simone – Sinner Man

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EGI Forum entry found here

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Chap (man)


Tracy Chapman born in Cleveland Ohio 1964
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Some individuals in the entertainment industry are clearly scripted to test our critical faculties and in the case of Tracy Chapman it safe to say we are well served.
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When i discovered Chapman as young, i did already pause and ask myself if this individual really could be a woman as she was represented to be. Everything seemed wrong – her voice, her face, her body… Not to mention Chapman lately came out as a lesbian and longtime partner of Alice Walker (author of The Color Purple). Even her name went by unnoticed at the time, but looking back.. Chapman.. Really ?
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The purpose for making some EGI cases obvious and somewhat blatant as with Chapman can be of psychological nature. As a matter of fact, when we accept this type of couvert psychological abuse it constitutes a subtle but efficient attack on our critical mind, and we might in fact modify our behaviour as we subconsciously thus bond to our aggressors (traumatic bonding). With Chapman we are flagrantly abused by the music industry and the mainstream press – music to the ears of some.
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Many openminded alternative researchers apparently have their eyes wide shut, but the abuse to which we are all subjected is consequential and to repair the damage might take longer than what we might anticipate. It is an easy excuse to find plausible denial in the many difficult cases as transvestigators try to catch up to the latest and sometimes unlikely candidates for Elite Gender Inversion.
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EGI resistant researchers really do not need more than one affirmative case in order to forcibly reevaluate their position and attitude. If there are indeed Elite members who impersonate the opposite gender consciously, wilfully and knowingly to our incredulity and detriment – it is only the abusive bonding to the system we live under that prevent ‘critical minds’ to see what is so screamingly obvious in many celebrities and especially in this case – it is a Chap, man !
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Atlantic Records – 04:24 (mm:ss)
Tracy Chapman – Bang Bang Bang

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Can you hear her ?


Jimmy Somerville (1961) known from Bronski Beat, The Communards
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There are many female vocalists* with “husky” voices, but also men with very castrato-like female pitch, also known as countertenors or falsetto. Not all such singers will perform in opera houses these days, even though the term and qualities of the classical “castrato” singer often are mentioned and used to describe modern vocalists as well (ex. Javier Medina, Jimmy Scott, Jorge Cano, Paulo Abel do Nascimento).
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As much as the Castrato* might in reality be a purposefully shrewd misrepresentation of transgendered girls, it does seem equally probable that the Elite have pursued their efforts to produce hormonal voice wonders with Elite Gender Inverted individuals also today, and that they just rebranded their top products with the advent of modern audio and audiovisual media. The horror story of castration was likely no longer needed when everyone could be experiencing the direct effects of music from records and radio as popular music became reality.
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There are of course many male artists that might be suspect of participation in the Elite gameplan and thus taking advantage of hormonal treatments (HRT) to inherit extra-ordinary vocal qualities. One of the most glaring exemples of what i strongly suspect is a gender inverted ‘male’ castrato would be 80s popstar Jimmy Somerville in his short stature, narrow shoulders and wiggling wide’ish waist. Despite his physical features and early baldness – his voice just sound exactly what we can expect from a modern-day EGI castrato.
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Jimmy Somerville OFFICIAL – 03:02 mm:ss
Smalltown Boy Reprise 2014

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*Female artists with deep voices
egi.fakeologist.com/2017/02/15/can-you-hear-him
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*Castrato article
egi.fakeologist.com/2017/02/09/no-rolling-stones
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EGI forum post entry here

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