EGI – Elite Gender Inversion

Royal Red Herring

Any appearance of a celebrity in the media will presumably always be planned and pre-arranged. When it comes to Royalty they are followed by a whole team of journalists, dedicated news-magazines and all-around global press coverage of any significant event.
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Kate Middleton is the current Duchess of Cambridge and married to Prince William who is destined to become king of the United Kingdom. Middleton has been discussed and analysed before* as she clearly does not appear fit to carry any child despite the large hands and her best efforts to put on weight.
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•Catherine Elizabeth Middleton here pose in a purposefully staged shot heavily figuring her digit ratio as clearly female as it is altered to appear so
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Childbirth would historically be a particularly important illusion* for the EGI. In order to effectively incarnate their inverted gender-role, the act of birth is clearly one of the most emblematic moments the Elite have to present to the public. And the bigger the lie, the harder it is for the public to fathom what they are presented.
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Of course, once you have shed away the veil of magic the fact remains that the Elite still have to put up a performance for their public make-believe incarnation of the opposite sex to hold true. The fact there is nothing natural about the act of birth as portrayed by the EGI in public – they still make considerable efforts to play the act to perfection.

“Considering that Mia Farrow’s character in the movie is impregnated with Satan’s child by a coven of witches, the similarities are eerie and completely unsettling if you think about what it could possibly say about the newborn prince.”
– Lyndsey Matthews for Harper’s Bazaar

Sometimes fakery and fraud can be detected by the absence of natural human behaviour replaced by artificially over-produced scripts. In the case of Kate Middleton’s assumed fake child-birth, it seems the scriptwriters went to great lengths to find symbology in the dressing-code and thus thread far too heavy on the artificial nature of the commonly trivial occurrence of a newborn child.
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Effectively, the scriptwriters behind the scenario for Kate Middleton’s magic act of producing a child she never was impregnated with seems to have their fingers stuck in the cinema cookie jar as they directly copied Mia Farrow’s dress from the occult masterpiece for some* : Rosemary’s Baby from 1968 (wiki)
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•the very same dress worn by 50 years later well demonstrate the over-emphasis that can occur when you try too hard and there are no real facts to hang on to
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*a fairly recent transvestigation by “Trans Investigator” – video here
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*speculation on EGI childbirth magick in the forum – post here
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*red dress coincidence theory from Harper’s Bazaar – article here

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Boy Downstairs

There is no escape from EGI dupers delight as Hollywood continue to promote all the more unlikely female characters as role-models and heroines. For those who take an interest in Elite Gender Inversion there are many question that arise when we evaluate suspect gender makeup. In the case of film director David Mamet’s daughter Zosia – known as Shoshanna Shapiro from the tv-series ‘Girls’ – we might need look no further than her latest feature film.
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The Boy Downstairs (2017) – Movie poster
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It is hard to escape the direct link that is made from the initial interrogation of Zosia Mamet’s gender identity and the apparent answer hidden (well, sort of) within director Sophie Brooks’ debut movie title. Not only does Zosia look like boyish – something is apparently going on downstairs.
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In the film scenario it is Zosia Mamet’s ex-boyfriend that lives in her basement and portray ‘the boy downstairs’. However the role is played by the chubby, effeminate looking Matthew Shear (anagram : ‘She Ra’) which again hint at more layers of inversion both literally and metaphorically.
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Zosia Mamet (2016) is a firm believer in ”fake it til you make it” (link)
•very large skull, defined collar-bone, straight shoulders, strong neck, big ears, male hairline, thick eyebrows over a huge brow-ridge, long prominent nose, deep-set eyes, sizeable chin and mouth
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Research so far strongly suggests that Elite Gender Inversion runs in Elite families where these occult traditions originate many generations back. EGI is thus not a behavior only made possible through modern medicine, but rather an ancient art practiced through the ages (God created EGI) and particularly well demonstrated and manifest in Medieval and Renaissance theatre where the cast traditionally was all male (women were portrayed by young males in all plays).
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The ancient traditions of ‘Boy Players’ (h/t rgos) from Shakespearean theatre do not seem lost, but rather the stage appear merged into our everyday settings where lifetime roles have been administrated by family lineage – not by any public form of audition as the we’ve been misled to believe. The lifetime actors troops must therefore be considerable in size in order to cover all the various parts of public life where scripted performances are required and seemingly performed ad infinitum.
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Diana Irvine and Zosia Mamet on the set of ‘The Boy Downstairs’
•both actresses look similar to ‘Boy Players’ of the past when there was no mystery of gender “downstairs”
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Film director Sophie Brooks and lead actress Zosia Mamet
•both girls display male size teeth, wide dental bridges, long noses and male cheekbones and head size
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Not Simply Red

Music is an influential medium where the audience can be easily mislead. The pop-culture have since long introduced very influential role-models who does not seem to be promoted merely because of their musical prowess (i.e. lip syncing & autotune) but more often popularised according to their potential cultural influence, particularly in younger generations.
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Sometimes the lines between talent and life-time acting seem blurred as some musicians have undeniable talent but an image that seems overly artificial or ackward. Maybe such impressions are the result of conflicting ideas about how to promote an artist or under what agenda their talent can be of use. Either way, looking back at Mick Hukcnall (wiki) it is easy to detect a large array of styles and memes but unfortunately no probant rhetoric that ever was able to make Simply Red’s lead singer any more masculine in appearence or as a pop icon.
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Holding Back The Years (Live) – Manchester 1990 – 03:24 (mm:ss)
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As with other artists covered previously (Tanita Tikaram, Nina Simone, Tracy Chapman, Jimmy Somerville or Kim Carnes & others), it is not merely the looks that betray Mick Hucknall but also the high pitched voice. No doubt, major efforts have been made to arrange the melodies and vocal style as to mask the female qualities of his voice. Listenening anew on many of Simply Red’s tracks it is nevertheless evident that Hucknall has an unlikely ease of singing very high tones despite his somewhat ‘husky’ speaking voice.
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What better than to disguise such a short grown effeminate singer as an alpha male and serial dating fuckalot ? As suspected, Mick Hucknall is not shy of apparently jaw-dropping female conquests including super models, celebrity actresses and other stars such as Helena Christensen, Catherine Zeta-Jones, Adriana Karembeu, Steffi Graf or Brigitte Nielsen to name but a few.

‘A red-headed man is not generally considered to be a sexual icon but when I had the fame, oh my God, it went crazy. Between 1985 and 1987, I would sleep with about three women a day, every day. I never said No. This was what I wanted from being a pop star. I was living the dream and my only regret is that I hurt some really good girls.’
–Mick Hucknall in 2010 ‘The Guardian’ interview (article)

The enticing hit song entitled ‘Holding Back The Years’ made Simply Red globally famous in the mid 1980’s and in that respect it is ironic that Mick Hucknall today seems unable to hold back the years very well in regards to EGI. In fact it rather seems like Simple Red’s lead singer is struggling to both maintain his weight and appearence. Time does not play well a lot of celebrities, and the changes we witness are not merely due to failed plastic surgery, weight-gain and poor lifestyle. More often than not celebrity appearence breakdown is better explained by Elite Gender Inversion and the procedures and medical treatments it entails.
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Mick Hucknall at 2006 Nobel Peace Prize Concert press conference in Oslo
•close facial features, small close set eyes, short nose, short mouth, no jawline and female red-coloured lips
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As we develop into adults the gender-typical differences are slighter than with age as many gender typical traits are accentuated with time. For individuals who are deceptively incarnating the opposite gender, this development is of course problematic as it leads to natural males accentuating their male traits and vice versa. For Hucknall it is clear he completely lack many male features such as hip to shoulder ratio, browbone structure, decent collar bones or male jawline.
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Mick Hucknall in 2010 staged beach photo shoot (Cala di Volpe, Sicily)
•female shoulder to hip ratio, proportionally small head (typically female) partly disguised by voluminous hairstyle
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Simply Red “Men and Women” album cover (1987)
•Mick Hucknail has female digit-ratio and his long index serves him well as he twist fingers to indicate Elite Gender Inversion all while making the popular celebrity hush-hush sign as well.
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Son of a Gun

Any person portrayed as lead character in a biographical movie-production can safely be considered EGI

News coverage from the 1970’s – EGIography movie rule seem to match..
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July 14 1974 the talk show host Christine Chubbuck shot herself live on Channel 40s morning program. After the first 8 minutes of the newscast the news footage on a shooting at a local restaurant jammed and didn’t run which led the depressed newscaster to go off script and execute herself in an admitted interest of entertainment…
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Chubbuck was pronounced dead the day after the “show” and the master tape was subsequently seized as evidence by authorities before it was returned to Chubbuck’s family who claimed to have destroyed it thereafter despite rumours of the footage being circulated on private videotapes and even to have figured in FBI training videos..
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Christine Chubbuck apparently preparing an ‘all girls night’ and not so discretely evoking her own single bullet under the right ear demise, John Kennedy’s magic bullet and Robert Kennedy’s mysterious ‘Polka dot’ girl.
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Of course, there is no girl to be seen here other than the text on the above image. Rather than quietly retiring an overly masculine news-reporter unfit for broad, national exposure on a major news channel it seems like Christine (or possibly Christian) was given an irresistible chance to get quite mediated and famous despite the radio face. Nothing wrong with the actual physical and facial features per say – only Christine’s looks are not female but rather EGI.
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So Christine Chubbuck surely didn’t die that day (14/7 or triple seven in occult terms) and most likely was headed for a Facial Feminization Surgery (FFS) Clinic where proper rhinoplasty, jawline contouring and a thorough brow bone shave would have been the most likely emergency procedures. A pointy chin implant might also have been an option although these seem to be more popular today than in the 70s.

“In keeping with Channel 40’s policy of bringing you the latest in blood and guts, and in living color, you are going to see another first: attempted suicide”
(Christine Chubbuck’s purported last words “live” on local TV)

The two biographical movies* that recently made headlines 33 years after the original events will also be comprised of transpicuous entities in leading roles but their appearence is clearly far less striking than those of Christine Chubbuck. By choosing todays more optimised and convincing Male to Female actors, any present or future impression of the events (i.e. from websearch) will now mix contemporary footage and imagery with the very sparse material from the 1970s. Needless to say – the overly blatant impression left from the original imagery of both Chubbuck and the “live” suicide events will fade in our digital environment – and better hide the obvious EGI now hidden in the re-mix.
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Chubbuck with long hair & lipstick – but no other feminine features
•wide shoulders, narrow hips (male hip-shoulder ratio), long arms, big head, important neck and male jawline
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Chubbuck as a student using a massive hairstyle to diminish head-size
•massive male brows and browbone, prominent cheek bones, square jaw and wide chin, deep wide set eyes, long neck with probably airbrushed trachea and Adams apple
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Christine Chubbuck behind the scenes at the TV station in 1974
•impossibly big hands for a female, apparent trachea (possibly also airbrushed), deep set wide eyes, sizeable teeth, wide dental arch and large male chin
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Christine Chubbuck on the “Suncoast Digest” TV show on WXLT-TV (Sarasota)
•impossibly long humerus bone, male BFP (Body Fat Percentage), square wide shoulders, male wrist and knuckles, square jaw, wide set deep eyes and male hairline
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*Kate Lyn Sheil stars as Chubbuck in ‘Kate Plays Christine’ (2016, movie trailer)
*Rebecca Hall is lead actress in ‘Christine’ (2016, movie trailer)
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Male Mother Mystery

Robbie Williams with newborn Theodora
Robert Peter “Robbie” Williams 2012 with newborn Theodora Rose
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The current focus of Youtube transvestigator Hans Wormhat is now turned towards scripture and the most elusive side of Elite Gender Inversion – the Female to Male secret transgenders. On the religious bent it is difficult for me to follow Hans Wormhat, but his recent “Pregvestigations” are really poignant and mostly very well elaborated. Kudos to Wormhat for breaking open a question that for too long was left untouched.
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Those who do read the Fakeologist EGI forum thread might remember how this very topic was elaborated upon in december 2016 and in light of the recent “pregvestigation” videos and new cases now coming out from Hans Wormhat it might be worthwhile to highlight how close to the scenario laid out back then it seems we have gotten today.

Original post (16-12-2016) from the EGI forum here

Everyone can possibly agree that childbirth is truly magic.
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For the Gender Inverted Elite this could be even more-so true. Maybe literally. How can a MTF (Male To Female) individual give birth or have a child ?
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If the Elite switch gender and still manage to reproduce, they must have a very elaborate process worked out to manage their offspring. Effectively, an Elite housewife will most probably have the inconvenience of not disposing the right reproductive system for taking care of either pregnancy nor child-birth. Today of course there are all types of alternative methods to both conceive a child as there is for the child-bearing itself. Famous examples like soccer player Cristiano Ronaldo or singer Ricky Martin have very publicly opted for surrogate mothers.
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However advanced modern Assisted Reproductive Technologies ( ART ) have become, the Elite must have managed this process even in the olden time. As modernity may hint at, the EGI might even consider their reproductive phase as their most ancient form of Art – how to stage their inverted child-process and pass it for real.

The first part is called “The Pledge”. The magician shows you something ordinary: a deck of cards, a bird or a man. He shows you this object. Perhaps he asks you to inspect it to see if it is indeed real, unaltered, normal. But of course… it probably isn’t.
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The second act is called “The Turn”. The magician takes the ordinary something and makes it do something extraordinary. Now you’re looking for the secret…
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But you won’t find it, because of course you’re not really looking. You don’t really want to know. You want to be fooled. But you wouldn’t clap yet. Because making something disappear isn’t enough; you have to bring it back. That’s why every magic trick has a third act, the hardest part, the part we call “The Prestige”.
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Christopher Priest, The Prestige

When we consider the efforts produced by a Gender Inverted Elite to have us believe in their public display of the opposite gender, child-birth might be regarded as child-play in comparison. Maybe there is also a large part of duping delight involved as well. People who all since childhood put on a very convincing performance must somehow be thrilled to engage in a new act, performed by their ancestors since time and memorial. As an uninitiated public, we can mostly only observe that far to many stars and personalities do look rather artificial while sporting bellies that often look like an ill positioned cushion.
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EGI Child birth – might partly be done as follows (with many variations within):
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Act 1 – The Pledge :
•FTM individual keep strict diet and prepare for early birth, quick recovery
•FTM pregnant individual move, do business trip, vacation or hide last 1-3 months
•MTF play pregnant, gain weight and gather public attention with family & friends
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Act 2 – The Turn :
•FTM (pregnant) male arrive at hospital incognito or give birth in private clinic
•Child is born (early) and kept in incubator and/or transported on location
•MTF fake start of birthing process and is very publicly taken to the hospital
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Act 3 – The Prestige :
•Child announced at selected date – nobody notice slight age difference for babies
•MTF very publicly announce birth at hospital and display child for images/press
•FTM either present during childbirth staging or arrive « late » if tough birth
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Prince Charles and Diana with newborn William
Prince Charles of Wales and Princess Diana
•Leaving St. Mary Hospital with Prince William Duke of Cambridge born 21/6 in 1982
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Prince William and Kate with newborn George
Prince William Duke of Cambridge and Duchess Catherine
•Leaving St. Mary Hospital with Prince George of Cambridge born 22/7 in 2013
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Poly tricks

Rosa Luisa DeLauro – in the US House of Representatives since 1991
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We are all used to the expression ‘Politics is show business for ugly people’ and when we pause and realise Elite Gender Inversion is all over Hollywood it quite logically follows that politics might be as full of EGI as acting itself.
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What might take some time realise is that as much as Hollywood play on the archetypes of beauty – Politics is on the contrary taking the opposite direction towards bad looks – and often plain ugliness.
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To pause and take inn every feature of a repulsive looking person is of course not natural behaviour, and for this reason we mostly never notice or analyse very thoroughly any politicians face. In other words, ugliness is a very effective tactics for disguise – more so than Hollywood’s obsession with beauty that invite the public to stare and adorn thus looking with more attention. Of course, to look closely does mean that most really see. But to not look in the first place must constitute even better assurance for politicians to remain well guarded from public scrutiny.
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If we counter-intuitively lend ourselves to the game of actually observing closely, we might all notice what MrE lays out in a number of his recent videos : female politicians are quite often men acting as women, and blatantly so. Elite Gender Inversion at a significant scale, hidden in plain sight.

There is nothing more deceptive than an obvious fact
-Arthur Conan Doyle

The scale of the EGI community is for most difficult to evaluate – are there just some cases or are there many ? The wide variety of physical traits in the population and also amongst the Elite makes it difficult to judge the EGI presence as a whole. The criteria will change according to the origin and ‘genetic’ makeup. How well we individually can recognise gender characteristics in different types of individuals can vary and some Elite individuals will be easier to identify as some have handicaps (aesthetically speaking) when it comes to how well they can successfully transit between genders physically.
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What is certain nevertheless is that a majority of female politicians are indeed transpicious, and from the exemples MrE showcase in his videos (below) we have to finally realise that EGI is far from being just a few cases in politics. There are many female politicians born male and merely acting as women. So much so that we must assume this is well known to the whole political class – there are too many cases and too much intimacy and cohesion between politicians for anyone in this ‘industry’ to be oblivious to such a fundamental fact and constitution.
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And there are many EGI entities in politics since a long time back – so far back it is excluded the Elite could choose their offsprings gender solely male as is now the case with modern assisted reproduction technology. It is therefore unlikely, or impossible rather, that everyone in politics are male… This fact forces the logical conclusion that many of the men in politics are inverted as well.
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Of course, it is easier to spot men acting as women due to the fact male hormones have such a huge impact of the physical appearence of a female subject. Still, the rationale here is simple – there are a predominance of female politicians that are in fact men and it follows that a large part of male politicians are in fact born female. I don’t like it, you might not like it – yet it cannot be otherwise as majority of females in the political class turn out to be of male birth.
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Further, the physical traits in policial couples are also clearly inverted which makes it is more likely it is our faculty to analyse gender-typical traits that is lacking more-so than inversion being practiced only on men and that the Elite give birth to only baby boys. Numerically such an occurence is not rational or even possible according to any birth statistics available.

Where there is one, there are many

MrE does not go all the way to the mandatory male portion of the EGI equation in politics (yet), but he should and… we must. EGI is a variety of tricks for both males and females, and in politics they seem to use them all – EGI poly tricks.
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House of Trannies – 15:46 (mm:ss) – MrE

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Gender Bending US Senators – 15:50 – (mm:ss) – MrE

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Janet Yellen 16 Trillion Dollar Man – MrE – 08:12 (mm:ss)

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The Godmother

Al Capone with his head enlarging mobster hat and the habitual cigar (around 1930)
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No doubt that contemporary urban violence and horror are in large parts influenced by the image left from the numerous gangsters that roamed the city streets since early last century. The big kingpin of urban violence is of course the supreme mobster Don – the Godfather.
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No don has done more for the mobster image than the original “Scarface”, Alphonse Gabriel Capone (1899-1947). Al Capone reigned supreme in Chicago from January 1925 when mafia chief Torrio handed over the reigns to Capone. After much violence and ins and outs with justice, Capone left a bloody trail of 33 bodies behind when he was ultimately sent away to Atlanta US Penitentiary in May 1932 to serve an 11-year sentence for tax evasion…
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Capone was predictably aged 33 at the end of his 7 year reign over Chicago and weighed in heavy at 110kg upon incarceration. Responsible for multiple brothels, the big Don was not only overweight at this point, but also afflicted with several sexual deceases such as syphilis and gonorrhoea. He might have been considered a fuckalot by the standards of the interwar period.
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Maybe Capone was at his outmost best when portrayed in the Godfather series of films (1972-90), most notably incarnated by Marlon Brando. Robert de Niro who also portrayed Al Capone as a youngster came across as way too thin compared to the beefy Capone. Brando with his chubby figure was a better fit as he equally shared some of Capone’s soft looks.
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Al Capone is portrayed as scary from his facial scars (hence Scarface) and count of victims and even was elected public enemy n° 1 (Chicago 1930) – but Don Capone looked all but masculine when analysed anatomically with his short arms, small hands, close facial features, short mouth, full red lips, prominent eyelashes and shallow eyes. The Don seems a Donna and Al Capone part of the EGI as a female to male trickster.

I’m like any other man. I’ve been in this racket long enough to realize that a man in my game must take the breaks, the fortunes of war. I haven’t had any peace of mind in years. Every minute I’m in danger of death.”
-Alphonse Gabriel Capone

Not much seems to have changed since the time of the artificially created prohibition. The violence of todays terrorism seems as artificial as the glorified mobsters of the day, and the numerous films and lifetime actors likewise. If the Godfather is in reality a harmless, armless Donna, was any of the mobster violence even ever real ?
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Al Capone during trial 1929 – looking as confident as always
•Typical female round head-shape with complete lack of neck and Adams apple, no jawline, no cheekbones, little brow structure an pulpous (red) lips
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Al Capone during another trial 1931
•Small shallow eyes, no neck, fleshy female cheeks and no cheekbone and typically female pulpous (red) lips – smiling helps FTM impersonation as it widens the mouth that is otherwise clearly short with full lips
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Al Capone ca. 1930
•Despite the hat, suit and tie – Capone displays typically female body features with small ribcage, little to no neck, short arms, small hands and overall feminine chubbiness.
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Al Capone ca. 1930
•Again typically female body features with very narrow shoulders despite clothes, small chest area little to no neck, very short arms and discernible important hips.
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Al Capone in Miami – mid or late 1920s
•By judging Capone from the belly, arms and kid alone – anyone would expect this individual to be a pregnant woman (speculation here) – he/she has very short motherly arms indeed…
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Chap (man)

Tracy Chapman born in Cleveland Ohio 1964
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Some individuals in the entertainment industry are clearly scripted to test our critical faculties and in the case of Tracy Chapman it safe to say we are well served.
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When i discovered Chapman as young, i did already pause and ask myself if this individual really could be a woman as she was represented to be. Everything seemed wrong – her voice, her face, her body… Not to mention Chapman lately came out as a lesbian and longtime partner of Alice Walker (author of The Color Purple). Even her name went by unnoticed at the time, but looking back.. Chapman.. Really ?
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The purpose for making some EGI cases obvious and somewhat blatant as with Chapman can be of psychological nature. As a matter of fact, when we accept this type of couvert psychological abuse it constitutes a subtle but efficient attack on our critical mind, and we might in fact modify our behaviour as we subconsciously thus bond to our aggressors (traumatic bonding). With Chapman we are flagrantly abused by the music industry and the mainstream press – music to the ears of some.
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Many openminded alternative researchers apparently have their eyes wide shut, but the abuse to which we are all subjected is consequential and to repair the damage might take longer than what we might anticipate. It is an easy excuse to find plausible denial in the many difficult cases as transvestigators try to catch up to the latest and sometimes unlikely candidates for Elite Gender Inversion.
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EGI resistant researchers really do not need more than one affirmative case in order to forcibly reevaluate their position and attitude. If there are indeed Elite members who impersonate the opposite gender consciously, wilfully and knowingly to our incredulity and detriment – it is only the abusive bonding to the system we live under that prevent ‘critical minds’ to see what is so screamingly obvious in many celebrities and especially in this case – it is a Chap, man !
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Atlantic Records – 04:24 (mm:ss)
Tracy Chapman – Bang Bang Bang

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Drag on TV

Emilia Isabelle Euphemia Rose Clarke, born 1986 in London
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Hollywood is undoubtably very Elitist with actors more often than not part of the EGI in-group. The most popular and mediated productions would be where we expect to see the highest percentage of Elite Gender Inversion. With approximately 160.000 screen and media actors* in the USA, it nevertheless seems improbable that everyone is part of the Elite Gender Inverted family.
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Even among the most popular actors it therefore would seem logic that there is a mix of cisgender and EGI individuals – even though anyone cisgender in high society would necessarily be aware of the prominent EGI presence.
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When looking for the rare cisgender celebrities in Hollywood, we soon encounter difficulties and it becomes frustrating to not find many convincing cases. This would certainly also be by design, but still, the task seems feasible and rather mundane – until you start really looking… And when looking closely, there are not many A List actresses that can be considered convincing candidates.
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One of the A List actresses that is very popular and appear quite feminine is Emilia Clarke, best know as the ‘Dragon Queen’ Daenerys in the immensely popular TV show Game of Thrones (GOT). Clarke is quite convincing in her role as a cisgender female – she’s short (1m57) and curvaceous, her arms and legs are not overly long, her hip to shoulder ratio is in order and her skin appealingly smooth, soft and pale. In short, Emilia Clarke really makes a convincing case as a natural born female and the case for a mix of real women and Male to Female (MTF) actresses in Hollywood.
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However, it seems this initial assessment of Emilia Clarke might be to reconsider and that the search for a convincing A List actress in Hollywood still remains unsatisfactory. In a follow-up video on GOT actors, MrE does a convincing job of casting more than reasonable doubt on Daenarys Targaryen’s constitution – and his points are mostly well made with images of a young Emilia Clarke that clearly point to hip-enhancements in addition to imagery display the masculine features of her head size, skull and eye-sockets. In addition we must expect Hollywood to have equally enhanced other features artificially as they are accustomed to do.
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In the quest for cisgender A list actresses in Hollywood, i’m sad to say “Our watch has yet not ended” and the Game of Thrones tv series looks like the wrong place to expect finding anyone cisgender. Maybe the whole GOT series is in reality a Game of Genomes where straight natural men and women just are too stale and predictable to make the fantasy fiction magically work.
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MrE – 16:10 (mm:ss) – First 6m30s on Emilia Clarke
Game of Thrones – The Night is Dark and Full of Trannies

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*numbers from SAG-AFTRA (Screen Actors Guild and the American Federation of Television and Radio Artists)

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Female Fiction

Women Who Kill poster
Women Who Kill is a 2016 criminal satire directed by Ingrid Jungermann, where gay ‘true crime’ podcasters Morgan & Jean come to suspect Morgan’s new lesbian love interest to be a killer.
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Ingrid Jungermann is a contemporary lesbian film-maker and represent a clearcut case where Elite Gender Inversion is as apparent as the LGBTQ propaganda she creates. This film came to my attention simply as the title contains a gender specific slogan, albeit not apparently gay in any way before familiarising with the content and storyline. We are supposed to expect women be as often lesbian as they are straight, but it might be dangerous to buy into such false premises to eagerly.
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The film poster really had me pondering whether the front-figure actually would be presented as a woman or not to the public – and that turns out to be the case – it is actually the lesbian film director herself that is seen posing in the foreground on the movies blue feature image. Sometimes images convey more information than words, and this film is yet another moment where EGI invites itself deceptively into everyday media, and where only knowledge of EGI actually can help correctly analyse and understand what is really presented to the public.
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Ingrid Jungermann at Tribeca Film Festival 2016 (born in Florida 1977)
•Male bodytype, male headsize, significant trachea, long arms, male hands & digit ratio, wide chin, prominent jawline, wide set eyes and male nose (typical male length and tip-angle)
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Jungermann does walk her talk apparently, and her love life is often at the crux of her ‘message’ as she defends female right to their gender specific expression and sexuality. Hmmm. Ingrid Jungermann”s partner actually look more like a younger man in the person of Desiree Akhavan – her co-star from The Slope, a web-tv-series about ‘superficial, homophobic lesbians‘.
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Desiree Akhavan in Silverlake 2014 (born in New York City 1984)
•male size head, square shoulders, prominent brows, male hairline, male nose and mouth – seemingly a man with makeup
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*Original text here
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